Queer

‘It’s About Time’: Ghostlight marks return to full productions post-pandemic with its 8th Season beginning in September

Justin Brook and Holly Robison tapped to lead Ghostlight Ensemble ahead of the company's eighth season.

Justin Brook and Holly Robison tapped to lead Ghostlight Ensemble ahead of the company's eighth season.

Ghostlight Ensemble announces its Season 8 lineup, marking the company’s return to a full production season with two mainstage shows, as well as a Nightlight play for young audiences, staged readings and ongoing collaborations with Chicago area museums. 

The company also announces a change in leadership with Ensemble Member and Chicago actor Justin Broom promoted to co-artistic director, along with Ensemble Member Holly Robison. Broom has been with Ghostlight since 2019 and Robison, who was acting as an interim co-artistic director, is a founding member of the company and previously served as artistic director from 2016 to 2019.

“It is a very full-circle moment for me, in a way, to join a company right before we had to move inside (due to the COVID-19 pandemic) to then come out the other end as a leader to help bring Ghostlight back to in-person stages and locations,” Broom said.

 “Ghostlight’s mission has always been to ask questions that challenge the status quo through timeless stories via immersive environments and unconventional staging, which very much aligns with my values to making theater,” he continued. “As Co-Artistic Director, I'm excited to offer my perspective and experiences as a Queer theater artist to fulfill our mission in new ways, expand our ensemble and bring Ghostlight back into the Chicago scene.”

 Broom first appeared with Ghostlight in 2019 in a reading of The Thirteenth Chair and has been active in the company and the Chicago theatre scene ever since. He holds a Bachelor of Arts in Theater as well as a Bachelor of Arts in Radio, Television and Digital Media from Southern Illinois University.

 “I care so much about this company, having been with it from the beginning, and am so happy to continue in this leadership role as Ghostlight emerges from our scaled-back programming during COVID with one of our busiest and exciting seasons yet,” Robison said. “I’m also particularly looking forward to leading with Justin, who has come to be one of the most active and insightful voices within the company.”

 Robison is a Chicago-based director, actor and improvisor who has directed An Ideal Husband and Picasso at the Lapin Agile for Ghostlight Ensemble, as well as conceiving the For Your (Re)Consideration series. She has studied directing with various organizations, including the summer program, A Practical Approach to Directing at Yale School of Drama and is a member of Lincoln Center Directors Lab. She is also a cast member and producer with Improvised Jane Austen.

 Full bios for both artistic directors are available on our website’s The Ensemble page

The new management team led the selection process for the upcoming season, which celebrates a symphony of creativity that resonates across cultures and time, reminding us that art is a universal language that binds us all.

 “We have some amazing projects and collaborations this season, and I can’t wait for audiences to experience them,” Robison said.

 Ghostlight will begin its Eighth Season with Alabama Story by Kenneth Jones, a drama about censorship, book banning and Civil Rights set within the framework of 1950s racial tensions. Robison will direct.

 Inspired by true events, Alabama Story is a drama about a segregationist senator and the state librarian who clash over the content of a children’s book about bunny rabbits against the backdrop of the Civil Rights movement in Montgomery, Alabama. Political foes, childhood friends and one feisty children’s author inhabit a Deep South of the imagination that brims with humor, heartbreak and hope.

 Alabama Story will take place Sept. 27-29 and Oct. 4-6, 2024, at After-Words Bookstore (23 E. Illinois St., Chicago) and Oct. 11-13 and Oct. 18-20, 2024, at Haymarket Books at Haymarket House (800 W Buena Ave, Chicago).

 In December, the company expands on its partnership with the Richard H. Driehaus Museum to present Holiday Spirits: A Collection of Victorian Yuletide Ghost Stories, a multi-story and multi-storied immersive, site-specific adaptation of classic Victorian ghost stories at the museum.

In February, the Nightlight series returns with a full-length production for young audiences, Invaders of Mathmatica, written by Ensemble Member Nick Conrad. The original play is a celebration of the arts that argues true riches come from collaboration, not isolation.

And Ghostlight will close out the season in spring 2025 with the world premiere of Drink the Past Dry written by Ensemble Member Maria Burnham. The site-specific piece is set and will take place at a nondescript neighborhood bar in the middle of Chicago that looks like every other bar in every other neighborhood. But this bar has a secret. It can take you anywhere in time. All you have to do is take a drink.

In addition, the For Your (Re)Consideration staged reading series will return in 2025, with its ongoing mission to explore the works of historically overlooked female writers. And Ghostlight will continue its popular Live Movie Reading Series throughout the year. Plus, the company has several other surprises brewing.

To celebrate its return to full productions (and a full season) after the COVID-19 pandemic, Ghostlight is hosting a Season Kickoff event at My Buddy’s (4416 N Clark St, Chicago) on Saturday, August 10. Join us for an insider look at all our shows, exciting news of new partnerships and performance opportunities and a chance to chat with the new artistic team and Ensemble members, as well as karaoke, raffle/auction items, free drinks and more. 

Look for details about the Season Kickoff event, the entire 2024-2025 season and Ghostlight Ensemble at GhostlightEnsemble.com.

Exploration of Queerness and romance takes the digital stage as part of For Your (Re)Consideration series

Andrew Coopman

Andrew Coopman

Ghostlight Ensemble launches its new reading series, For Your (Re)Consideration, which explores the works of historically overlooked female playwrights, with The Convent of Pleasure by Margaret Cavendish at 2 p.m. on Sunday, April 4.

Written in 1688, The Convent of Pleasure tells the story of a group of unmarried women, initiated by Lady Happy, who choose to avoid the pains or displeasures that exist in a male-dominated world and instead create their own community, or convent, of pleasure to create their own perfect, self-functioning society. This virtual reading is directed by Seattle-based Storytelling Interdisciplinary Artist Andrew Coopman. 

What drew Coopman to the piece is it is one of the earliest examples of not just queer narrative, but non-binary narrative as well.

The Convent of Pleasure is a story of two women falling in love and fighting against the cultural expectations placed upon them,” they explained. “And the REALLY wild part is that one of the two primary characters changes gender with no explanation during that last act, which her husband wrote. What could be overlooked or simply labeled a cross-dressing character is, I believe, something much more complex and beautiful and kick-ass and resilient.

The Convent of Pleasure is a great example of how history has erased and suppressed LGBTQ+ identity for comfort and ease, making it seem like a revolutionary or rebel idea of the last century or so,” Coopman continued. “But this beautiful romantic comedy is also a great example of the Queer community’s resilience and determination throughout history. We are Queer, we have been Queer, we have always been here, and it’s time to recognize and celebrate our story… and that’s why audiences should come watch our play.”

The cast of The Convent of Pleasure includes: Ensemble Member Song Marshall with Lotus Lindez, Cynthia Becker, Sagen Berry, Sebastian Summers, Aria Caldwell, Ira McIntosh and KJ Snyder.

As a director, choreographer, devisor, performer, playwright and teaching artist, Coopman has worked in a variety of theaters around the country including Seattle, New York City, Milwaukee and the Chicagoland area. Directing credits include: RE: Social/Divide (Cooperative Performance), Into The Woods (Studio East), Wilde Tales (Seattle Opera), James & The Giant Peach (Village Theater), Little Women The Musical (Seattle Musical Theatre) and the premier of The Sunflower Sisters (Eclectic Theater).

The initial broadcast of The Convent of Pleasure takes place over Zoom at 2 p.m. on Sunday, April 4, and a talkback with the director will take place immediately following. A recording of the performance will be available afterward to stream through the end of April.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. By donating more, if you are able, you help offset the cost for those who can’t afford to give. Tickets are available on the For Your (Re)Consideration page. Please make sure to select the production and performance you are interested in receiving a link to view.

Featuring a variety of distinct voices and styles from different historical periods, the virtual readings that make up For Your (Re)Consideration seek to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. 

Sometimes referred to as the Other Canon, the work of these early female playwrights dates from Hrotsvitha in the 10th Century to Dorothy C. Guinn in the 1920s. Their plays are as much the building blocks of modern theatre as those of their male counterparts. Some good, some great, some successful in their time, some way ahead of their time, these women have found themselves all but erased from history and rarely, if ever, produced today.

The series is curated by Ensemble Member Holly Robison, who said she struck on the idea for the series a few years ago when she came across The Enchantment by Victoria Benedictsson, who was said to be an inspiration for Hedda Gabler and Miss Julie. 

“I thought it was absurd that those plays are heralded as classics and performed all the time, but I had never even heard of Benedictsson or her play,” Robison said. “I started thinking — what else was missed because the author was a woman? Or what plays and playwrights were never cultivated?”

Additional upcoming readings include:

  • April 11: Distinguished Villa by Kate O’Brien, directed by Elizabeth Lovelady

  • April 18: Mine Eyes Have Seen by Alice Dunbar Nelson, directed by Angelisa Gillyard

  • May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison

Additional scripts are being finalized.

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.