Audiences love ‘Alabama Story’; Final 3 performances begin Friday

Only three performances remain of Ghostlight Ensemble’s production of Alabama Story by Kenneth Jones, Oct. 18, 19 & 20.

The production has been highly recommended by critics and audiences alike.

Raves include:

“My family thoroughly enjoyed Alabama Story…I grew up in Deep South Georgia. The writing, the inflections and the hypocrisy were spot on…We simply must NOT go back!!

Please continue your good work.” — Eloise  

“It’s a really good show, highly recommend seeing this one!” — Ana

“Beautiful performance of Alabama Story!” — Ginny

“You chose a topical, engrossing story…Nuanced, powerful, visceral. I’m gushing and it’s deserved. Well done, Ghostlight!” — Carol

Check out our reviews here:
Read the full Third Coast review here.

Read the full New City Stage review here.

Read the full The Reader review here.

The remaining shows take place at 7:30 p.m. on Friday, Oct. 18 and Saturday, October 19 and 2:30 p.m. on Sunday, October 20, at Haymarket House, 800 W Buena Ave, Chicago.

Alabama Story is a fictional play based on very real events that took place in 1950s Alabama when a children’s book called The Rabbits’ Wedding by illustrator Garth Williams (known for his work on Charlotte’s Web, Stuart Little and Little House on the Prairie) was released.

The play tells the story of a segregationist senator and the state librarian who clash over the content of The Rabbit’s Wedding. The play contrasts that story with a reunion of childhood friends — a Black man and a woman of white privilege — providing a private counterpoint to the public events swirling in the state capital.

Tickets are pay-what-you-will, with an average donation of $25, and are available at https://ghostlightensembletheatreco.thundertix.com/. More information about the show can be found at https://www.ghostlightensemble.com/alabama-story.

And if you’ve already seen Alabama Story and loved it, consider helping nominate us for the 2024 Broadway World Chicago Awards. You can submit here through Oct. 31: https://www.broadwayworld.com/chicago/votenominations.cfm. (You do not not need to fill out all categories or blanks.)

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency. Alabama Story is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection.

Alabama Story opens this weekend!

Alabama Story by Kenneth Jones – a drama about censorship, book banning and Civil Rights – opens during Banned Books Week on Let Freedom Read Day, Saturday, September 28.

Let Freedom Read Day is a day of action with a call for everyone who stands against book banning to take at least one action to help defend books from censorship. Ghostlight is proud to stand up for the library staff, educators, writers, publishers and booksellers who make books available to all. Learn more about Banned Books week (September 22-28) and Let Freedom Read Day at https://bannedbooksweek.org/let-freedom-read-day.

Alabama Story is a fictional play based on very real events that took place in 1950s Alabama when a children’s book called The Rabbits’ Wedding by illustrator Garth Williams (known for his work on Charlotte’s Web, Stuart Little and Little House on the Prairie) was released. The book tells of two little rabbits – one white, one black – who decide to get married. Though not intended to be political, the book caused a firestorm in the Segregationist South with calls to ban and even burn the book.

 The play, set in 1959 Montgomery, Alabama, is the story of a segregationist senator (the fictional-characterization-based-on-a-real-person, Sen. E.W. Higgins) and the state librarian (based on a very real Emily Wheelock Reed) who clash over the content of a children’s book about bunny rabbits. The play contrasts that story with a reunion of childhood friends — a Black man and a woman of white privilege — providing a private counterpoint to the public events swirling in the state capital.

 Alabama Story is set within the framework of 1950s racial tensions that parallels the issues facing America today as book bans and book challenges overwhelm libraries and schools across the nation.

The immersive show also marks the company’s return to mainstage productions since the global COVID-19 Pandemic brought arts organizations and productions around the world to a halt in 2020.

“We have an amazing project and the cast is truly fantastic,” Director Holly Robison said. “I cannot wait for audiences to see the excellent performances that are sure to elevate an already meaty, timely script,”

 The cast includes two Ensemble Members, Co-Artistic Director Justin Broom as Thomas Franklin and Maria Burnham as Emily Wheelock Reed. Rounding out the cast is Scott Olson as Garth Williams, Tom Goodwin as Sen. E.W. Higgins, Khnemu Menu-Ra as Joshua Moore and Haley Basil as Lily Whitfield. Understudies include Adrian Campbell, Mary Jordan, Allison McCorkle and Derek Preston Ray. Ensemble Member and Co-Artistic Director Holly Robison directs. (Bios available at www.ghostlightensemble.com/alabama-story-bios.)

The production takes place at two site-specific, book-centric locations: After-Words Bookstore (23 E. Illinois St., Chicago) and Haymarket Books at Haymarket House (800 W Buena Ave, Chicago). There is a preview performance on Friday, September 27 at After-Words Bookstore, followed by performances on Sept. 28-29 and Oct. 4-6, 2024. Performances at Haymarket Books are Oct. 11-13 and Oct. 18-20. Performances begin at 7:30 p.m. on Fridays and Saturdays and at 2:30 p.m. on Sundays.

Tickets are pay-what-you-will, with an average donation of $25, and are available at https://ghostlightensembletheatreco.thundertix.com/. More information about the show can be found at https://www.ghostlightensemble.com/alabama-story.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency. Alabama Story is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection.

Make/Believe theatre festival for young audiences returns this summer live, outdoors

Ghostlight Ensemble brings its popular Make/Believe festival back to the stage in 2022 with seven short plays by playwrights from around the country to be presented live, outdoors in July.

This year’s curated festival features a mix of new and previously performed plays from past Make/Believe festivals, written by both local and national playwrights. The plays, as always, have been written for audiences 10 and under, but are meant to be enjoyed by all ages.

“We are thrilled to bring this festival back to live performances after having to go digital only in 2021,” said Maria Burnham, Make/Believe curator. “Nothing replaces being in the same space with our young audience members and their families and feeling the energy and excitement they bring to Make/Believe.”

The seven stories that make up this year’s festival are filled with young people, plants, puppies and a blue balloon who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the littlest fish in the ocean proving all sizes matter in Krill’s Quest, the protagonists in these plays face the types of struggles modern children will recognize from their own lives.

All seven plays will be produced on each day of the festival at the new NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated.

 Selected scripts are Asherella by Lori Taylor, Best Friends by Adam Eugene Hurst, A Blue Hydrangea by Eric Braman, Can You Hear the Mermaids Singing? by Rachel Atkins, It's Poppin' by Steven San Luis, Krill’s Quest by Angelle Whavers and Sunshine and the Sea of Lost Things by Sarah Lina Sparks.

Make/Believe is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2022.

Make/Believe takes place outdoors on the last three Saturdays in July – July 16, 23 and 30, 2022, at 2:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Culturally Rich, Diverse Stories Spotlighted in 2nd Annual Festival for Young Audiences

“Sunshine And The Sea of Lost Things” is one of six plays that make up the 2021 Make/Believe festival. (From Left: Alexandra Alontaga, Roxy Adviento and Cooper Bohn)

A child with no memory lost at sea, a balloon afraid of soaring through the clouds, a splash of Black Girl Magic. Welcome to year two of Make/Believe, a theatre festival that challenges its young (and young-at-heart) audiences to indulge their imagination and open their minds to all the beautiful, complicated ways life presents itself.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 10 and under, but which are also meant to be enjoyed by all ages. This year an emphasis was placed on producing pieces in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. The festival has also expanded to include three classes centered around stage craft, to help this next generation of theatre artists craft their own stories and shows at home.

“Make/Believe includes the type of complex storytelling modern children expect from their entertainment,” said Maria Burnham, the curator and producer of Make/Believe. “This is theatre with a message, with deeper meaning, with conflict of morality; it is a reflection of the life they see around them every day.”

Last year’s Make/Believe festival proved wildly popular, with both shows selling out and waiting lists that had to be turned away. While the move to a digital presentation this year was necessitated by COVID-19, the added benefit is that there is no limit to the number of people who can attend and participate.

“While we’ve lost some of the magic that comes with being together, we’ve also loosened the barriers about who has access to both do and see theatre and that isn’t a bad trade,” Burnham said.

The six stories that make up this year’s Make/Believe festival are filled with young people, plants and a puppy who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the pink hydrangea that knows it was born to be blue in A Blue Hydrangea, the protagonists in these plays face the types of struggles children will recognize from their own lives.

Rashaad A. Bond

“For me, the opportunity to direct for Ghostlight Ensemble is an opportunity to show children that grew up like me that there is a place for them in theatre,” said Rashaad A. Bond, director of Best Friends. “It is an opportunity to show them stories they can relate to not just because they are universal truths, but because the people they’re watching look like them as well.”

Selected scripts include:

• Best Friends, written by Dallas playwright Adam Eugene Hurst, is the story of Brooklyn a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well-worn stuffed animal dog toy, wants nothing to do with that. Best Friends is directed by Rashaad A. Bond. Cast: Dara Brown and Clara Johnson.

• A Blue Hydrangea, written by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that is blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. Blue Hydrangea is directed by Alyssa Vera Ramos. Cast: Ariel Etana Triunfo and Will Pettway.

• The Friend Box and The Box Friend, written by Chicago playwright Kim Z. Dale, takes place during a school show-and-tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. The Friend Box and The Box Friend is directed by Jonathan M. Saucedo. Cast: Tommy Blackburn, Heather Bronson, Meg Collins and Terri Hudson with Jean Burr, Christopher Mueller, Sydney Ray and Holly Robison.

• It's Poppin', written by Georgia playwright Steven San Luis, is the story of a young kid who is afraid of moving to a new city and finds themself talking to a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. It’s Poppin’ is directed by Rebecca Rose Schilsky. Cast: Levi Denton-Hughes and Emmett Wickersham.

• Splash of Magic, written by Chicago playwright Lori Taylor, is the tale of Diane, an 8-year-old Black girl who is scared to go in the pool without something to keep her afloat. When she discovers her Black Girl Magic, she realizes she can conquer any fear, as long as she believes in the magic that lives inside her. Splash of Magic is directed by Kayla V. White and Aria Caldwell. Cast: Aria Caldwell, Nick Conrad and Toma Lynn Smith.

• Sunshine and the Sea of Lost Things, written by California playwright Sarah Lina Sparks, follows a young mixed-race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever. Sunshine and the Sea of Lost Things is directed by Roxy Adviento. Cast: Alexandra Alontaga, Roxy Adviento and Cooper Bohn.

Stagecraft classes will also be available virtually for children as part of this year’s festival. Families can choose from Building the Character — Literally, Building the Story or Building the World. Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only.

More information — including bios, ticket information and class descriptions— is available on our website.

In late 2020, Ghostlight put out a call for scripts for young audiences that were ethnically and culturally diverse, written by writers of color and/or LGBTQ writers and that could be produced virtually. Over 100 short plays were submitted from writers all over the world. Final selections were made in February 2021.

The festival was crafted to appeal to all ages and its “live” weekend run is perfect for families looking for daytime entertainment during a time of year when outdoor events can be unpredictable. Make/Believe takes place Saturday, June 5 and Sunday, June 6, 2021, at 2 p.m. The performances will also be available to stream on-demand through Sunday, July 4.

Tickets are Pay-What-You-Will, with a minimum donation of $1, but a suggested donation of $10 for the performance and $5 per class. By donating more, patrons help offset the cost for those who can’t afford to give.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Exploration of Queerness and romance takes the digital stage as part of For Your (Re)Consideration series

Andrew Coopman

Ghostlight Ensemble launches its new reading series, For Your (Re)Consideration, which explores the works of historically overlooked female playwrights, with The Convent of Pleasure by Margaret Cavendish at 2 p.m. on Sunday, April 4.

Written in 1688, The Convent of Pleasure tells the story of a group of unmarried women, initiated by Lady Happy, who choose to avoid the pains or displeasures that exist in a male-dominated world and instead create their own community, or convent, of pleasure to create their own perfect, self-functioning society. This virtual reading is directed by Seattle-based Storytelling Interdisciplinary Artist Andrew Coopman. 

What drew Coopman to the piece is it is one of the earliest examples of not just queer narrative, but non-binary narrative as well.

“The Convent of Pleasure is a story of two women falling in love and fighting against the cultural expectations placed upon them,” they explained. “And the REALLY wild part is that one of the two primary characters changes gender with no explanation during that last act, which her husband wrote. What could be overlooked or simply labeled a cross-dressing character is, I believe, something much more complex and beautiful and kick-ass and resilient.

“The Convent of Pleasure is a great example of how history has erased and suppressed LGBTQ+ identity for comfort and ease, making it seem like a revolutionary or rebel idea of the last century or so,” Coopman continued. “But this beautiful romantic comedy is also a great example of the Queer community’s resilience and determination throughout history. We are Queer, we have been Queer, we have always been here, and it’s time to recognize and celebrate our story… and that’s why audiences should come watch our play.”

The cast of The Convent of Pleasure includes: Ensemble Member Song Marshall with Lotus Lindez, Cynthia Becker, Sagen Berry, Sebastian Summers, Aria Caldwell, Ira McIntosh and KJ Snyder.

As a director, choreographer, devisor, performer, playwright and teaching artist, Coopman has worked in a variety of theaters around the country including Seattle, New York City, Milwaukee and the Chicagoland area. Directing credits include: RE: Social/Divide (Cooperative Performance), Into The Woods (Studio East), Wilde Tales (Seattle Opera), James & The Giant Peach (Village Theater), Little Women The Musical (Seattle Musical Theatre) and the premier of The Sunflower Sisters (Eclectic Theater).

The initial broadcast of The Convent of Pleasure takes place over Zoom at 2 p.m. on Sunday, April 4, and a talkback with the director will take place immediately following. A recording of the performance will be available afterward to stream through the end of April.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. By donating more, if you are able, you help offset the cost for those who can’t afford to give. Tickets are available on the For Your (Re)Consideration page. Please make sure to select the production and performance you are interested in receiving a link to view.

Featuring a variety of distinct voices and styles from different historical periods, the virtual readings that make up For Your (Re)Consideration seek to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. 

Sometimes referred to as the Other Canon, the work of these early female playwrights dates from Hrotsvitha in the 10th Century to Dorothy C. Guinn in the 1920s. Their plays are as much the building blocks of modern theatre as those of their male counterparts. Some good, some great, some successful in their time, some way ahead of their time, these women have found themselves all but erased from history and rarely, if ever, produced today.

The series is curated by Ensemble Member Holly Robison, who said she struck on the idea for the series a few years ago when she came across The Enchantment by Victoria Benedictsson, who was said to be an inspiration for Hedda Gabler and Miss Julie. 

“I thought it was absurd that those plays are heralded as classics and performed all the time, but I had never even heard of Benedictsson or her play,” Robison said. “I started thinking — what else was missed because the author was a woman? Or what plays and playwrights were never cultivated?”

Additional upcoming readings include:

• April 11: Distinguished Villa by Kate O’Brien, directed by Elizabeth Lovelady

• April 18: Mine Eyes Have Seen by Alice Dunbar Nelson, directed by Angelisa Gillyard

• May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison

Additional scripts are being finalized.

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.

Up Next: Holiday Cabernet 3

Ghostlight will begin its fourth season in December with a perennial winter favorite, the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a virtual setting with a host filled with holiday spirits! Taking the emcee mic this year is the glamorous Coco Sho-Nell, a Chicago-based drag performer with roots in musical theatre.

Acts range from comedians and clowns to musicians, dancers and more. Artists include:  Comedy Dance Collective, Daija Nealy, Danielle Levsky, Improvised Jane Austen, Nate Perez & Anneliese Ayers, Nitty Gritty, Plucky Rosenthal and Tyler Ross. 

In addition, last year’s vendor area proved so popular, that we’re bringing it back in virtual form this year. Peruse the online offerings before, during and after the show and support independent artists while scoring unique gifts that everyone will be buzzed about. 

The live, but virtual, Holiday Cabernet takes place at 8 p.m. on Saturday, December 12. Additional details, include artist bios, vendor wares and how to reserve tickets are available on our website.

The power of imagination takes center stage in Ghostlight’s festival of new works for young audiences

Cereal royalty, a monster that eats words, the source of all black girl magic, a unique bird that tastes bad. Welcome to Make/Believe, a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 12 and under, but which are also meant to be enjoyed by all ages.

“Make/Believe is an expansion of our Nightlight young audiences series, which has always sought to tell compelling stories for children that do not talk down to them, but help make sense of the world around them while also letting them know that it is still OK to play,” said Maria Burnham, Ghostlight’s co-artistic director.  

The eight stories that make up this year’s Make/Believe festival are filled with young women who turn convention on its head. From the young heroines in Epic Tales from the Land of Melanin who reclaim their own stories – and the power that comes along with them – to that classic victim of folklore, Little Red Riding Hood, who decides a feminist fairy tale is more her style, the heroines of these plays face the types of figurative monsters modern children will recognize from their own lives.

Selected scripts include:

• Asherella, by Chicago playwright Lori Taylor, is a take on Cinderella where the heroines are African-American females and the person rescued is a young white male. Asher lives at home with his cruel stepmother and cruel stepbrothers. With the help of The One, an African-American magical being who is the source of all black girl magic, Asher is able to escape his cruel family and live in the castle with the ruler of the queendom. Asherella is directed by Laila Rodriques.

• In Ava’s First Escape Room, by Chicago playwright Kim Z. Dale, Ava, Jack and Gus are locked together in an escape room as an optional add on to a school field trip. The strange thing about this escape room is there is nothing in it: No puzzles or clues to solve. To make matters worse, Ava and the boys are not friends. As the boys loudly and ineffectually try to bust out of the room, Ava gets tired of dealing with them, and takes matters into her own hands. Ava’s First Escape Room is directed by Jill Olson Stuck.

• Based on histories of real-life women of color and non-Eurocentric fairytales, Epic Tales from the Land of Melanin tells a hilarious, imaginative adventure tale of three girl warrior-explorers taking on the world. Along the journey, our fierce young heroes must attempt to reclaim the power that was stolen from them and their people. Epic Tales From the Land of Melanin was originally devised by Chicago artists Guadalís Del Carmen, Mariana Green, Brandi Lee, Maya Mackrandilal, Enid Muñoz, Alyssa Vera Ramos, Deanalís Resto, Ana Velazquez and Teresa Zoríc with FEMelanin; and is directed by Deanalís Resto.

• Little Red Reboot, by New York playwright Sonya Sobieski, is a modern mash-up of the Little Red Riding Hood and Goldilocks tales, in which two rebellious females we think we already know break the rules of storytelling and theatre to get to a happy ending. Little Red Reboot is directed by Kristin Schoenback.

• The Queen of Cocoa Puffs and the Cap’n Crunch King, by Brooklyn playwright Corey Pajka, is the story of what happens when a pair of sovereign siblings sit down for breakfast with two hearty appetites and one cereal box between them. A battle cry is heard across the kingdom of New Brunswick. There will be blood—and perhaps orange juice. The Queen of Cocoa Puffs and the Cap’n Crunch King is directed by John Gleason Teske.

• Scaredy Friends is the story of a small girl and a monster that eats her words when she screams. But it turns out the monster isn’t evil — like the little girl, it is scared. This discovery, told through words and physical theatre, changes the course of their relationship forever. Scaredy Friends is written and directed by Chicago performing artist Carolyn Minor.

• Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince, by Oak Park-based playwrights Jack Helbig and Margaret Helbig, is the story of a father and a daughter who collaborate on the writing of an original fairy tale. Unfortunately, they have different ideas of what makes a good fairy tale. Fortunately, they keep writing. Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince is directed by Lizzy May.

• Stinky Bird, by Los Angeles playwright Seth Freeman, is the story of a young bird who is forced to come to terms with her unique and challenging background. Stinky Bird is directed by Jackie Bowes.

All eight plays will be produced on both days of the festival. The festival is curated by Ghostlight Ensemble Co-Artistic Director Maria Burnham.

Ghostlight put out a call for scripts for young audiences that featured strong female characters and collected submissions from around the world during the fall of 2019. Over 350 short plays were submitted. Final selections were made in late November.

The festival was crafted to appeal to all ages and its weekend run is perfect for families looking for live, daytime entertainment during a time of year when family-friendly activities are not as plentiful. Make/Believe takes place Saturday, February 22 and Sunday, February 23, 2020, at 2 p.m. at Laugh Out Loud Theater Chicago in the North Center neighborhood (3851 N. Lincoln Ave.). Tickets are on sale now via Brown Paper Tickets: $15 adults, $5 children 12 and under, or $25 family of four.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

In A World Where Trees Talk And Giants Walk, Why Not A Set That Lives And Breathes?

In Ghostlight Ensemble’s latest production, actors throw their whole selves – literally – into telling the story of a giant who brings on a perpetual winter in an effort to keep his land to himself. The Selfish Giant, which opens June 8, is a physical theatre reimagining of the Oscar Wilde short story of the same name.

Weaving movement and words into a highly physical form of storytelling, this intimate production tells the tale of an angry giant who builds a wall to keep children off his land, but discovers the perils of isolation and the negative consequences of selfishness.

“The themes of this story, originally published in 1888, resonate with modern audiences, tackling issues that we are still very much grappling with,” said Maria Burnham, the playwright and a co-director of the production. “The story is almost too relevant.”

This production removes the religious overtones of Wilde’s original short story and replaces it with a morality tale that focuses on character redemption and the power of love. It also moves the story off the page by relying solely on the actors who are telling it, illustrating to the audience another theme of the story – how much better we can be when we all work together.

The adaptation uses a chorus to embody human characters and mythical beasts. The actors build the world of trees, birds, benches and beasts with their bodies.

“Physical theatre is really much more about, not a singular person, but what a group can provide you. What can we build together as opposed to one person standing and saying ‘Hey I’m a giant’ or ‘I’m a tree’,” said Miona Lee, co-director and movement choreographer for the production. “The story itself is very much about inclusiveness and the way we’re building our world as well is really inclusive.”

The Selfish Giant was part of a collection of stories for children by Oscar Wilde, The Happy Prince and Other Tales, first published in May 1888. In the story, the selfish giant builds a wall around his beautiful garden to keep children out. By doing so, he creates a perpetual winter in the garden, because no other season wanted to be part of his selfish endeavor. Then one morning, a special child brings spring back, and the giant’s heart melts along with the snow.

The Selfish Giant stars Jean E. Burr as Lydia and Tamsen Glaser, Molly Gloeckner, Sophia Hail, Nate Hall, Sarah-Lucy Hill, Song Marshall, Daniela Martinez, Maggie Blair Smith and Zoe Savransky as a chorus of characters.

The show was crafted to appeal to all ages and its weekend runs are perfect for families looking for live, daytime entertainment. The Selfish Giant runs June 8-30 on Saturdays at 1 p.m. and Sundays at 11 a.m. at Otherworld Theatre in the Lakeview neighborhood of Chicago (3914 N. Clark St., 60613) Tickets are on sale now: $10 adults, $5 children 12 and under, or $25 family of four.

The Selfish Giant is part of Ghostlight’s summer Nightlight series.

Nightlight is Ghostlight’s summer young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Tickets on sale for The Selfish Giant

Actors have begun rehearsals for The Selfish Giant, which runs in June at Otherworld Theatre in Lakeview.

Tickets are on sale now for The Selfish Giant, a physical theatre production that will mesmerize audiences of all ages.

This story of a giant who builds a wall to keep children off his land runs during the month of June at Otherworld Theatre and is geared toward all ages.

Tickets are available through Brown Paper Tickets and are $5 for children, $10 for adults or $25 for a family of four.

You can also obtain tickets through our Go Fund Me Campaign. The Garden, Ogre, North Wind and Giant levels all come with tickets to the show, along with a host of other goodies. Learn more Becoming a Generous Giant for Children's Theatre here.

Based on Oscar Wilde's short story of the same name, The Selfish Giant illustrates the perils of isolation and the negative consequences of selfishness, but it also teaches us that it is never too late for redemption and for love.

Donate to children, earn a reward!

Did you know we’ve put together some very special gifts for the donors to our The Selfish Giant fundraiser? From growing your own garden to headshots and more.

Read all about the show here and then go donate here.

By donating you help keep our ticket prices affordable for all families in Chicago.

Levels include:

$25 GARDEN LEVEL: Start your own urban garden with a Grow Your Own Garden Kit and receive a ticket to the show, as well as thanks in our program.

$50 OGRE LEVEL: Join cast members and the director of The Selfish Giant after a performance for apple pie and milk and to learn more about physical storytelling. Bring your kids (or you friends’ kids) so they can learn how to turn everyday objects into props to create their own plays at home. Plus: A ticket to the show, as well thanks in the program

$75 NORTH WIND LEVEL: Get a headshot session with our company photographer who will offer you one look (a.k.a. outfit, but a variety of expressions within that one outfit) and guarantee a photo you’re happy with, or you’ll get a makeup session. You get all the photos from the session on a disc to use as you wish without watermarks. This offer is regardless of whether you’re an actor looking for fresh headshots, one of our business friends looking to spruce up your LinkedIn page or an animal lover looking for a professional photo of your pupper (did we mention, this wasn’t limited to humans!) Plus two tickets to The Selfish Giant, as well as thanks in the program

$100 or more GIANT LEVEL: A Nightlight Gift bag, featuring your choice of a Nightlight T-shirt or tote bag, among other items, plus two tickets to The Selfish Giant as well as thanks in the program.

Meet the cast of The Selfish Giant

Up next for Ghostlight is The Selfish Giant, part of our Nightlight young audiences series.

Based on Oscar Wilde's short story of the same name, The Selfish Giant is a story that illustrates the perils of isolation and the negative consequences of selfishness, but it also teaches us that it is never too late for redemption and for love.

We're excited to announce the cast for this ensemble production: Jean E. Burr, Tamsen Glaser, Molly Gloeckner, Sophia Hail, Nate Hall, Sarah-Lucy Hill, Song Marshall, Daniela Martinez, Maggie Blair Smith and Zoe Savransky.

The show is directed by Maria Burnham and Miona Lee.

This production will intrigue children and parents alike, not just with its story, but with its method of storytelling. The adaptation uses a chorus of actors to embody human characters and mythical beasts, while building the world of trees, birds, benches and beasts with their bodies. This physical theater piece relies almost completely on the ensemble of actors telling the story.

The show runs June 8-30 on Saturdays at 1 p.m. and Sundays at 11 a.m. at Otherworld Theatre, 3914 N Clark St., Chicago, IL 60613. Tickets will be on sale soon.

‘Picasso At The Lapin Agile’ Opens on Friday

Ghostlight Ensemble will tackle the age-old debate of which is more valuable to society: art or science with its fall production, Picasso at the Lapin Agile.

The absurdist comedy by American humorist Steve Martin imagines a meeting between Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

Ghostlight’s production will explore the struggles and similarities between science and art, but also between genius and fame, big ideas and mere notions and optimism of the new and skepticism of the familiar.

“The play imagines the absurd and mundane in the lives of two men who really did go on to impact the world and alter history,” Director Holly Robison said. “With Picasso, we are asked to consider the men as much as the myth, to see their flaws, silliness, insecurities, hopes and dreams, as much as their towering legacies.  The mythic men are humanized. We can see ourselves in them and understand their desires.

“Even if we are not all geniuses, we all, to some degree, have the same flicker of desire to create, to inspire, to change the world and leave something behind.”

The show stars: Maggie Antonijevic (The Countess/Female Admirer), Norman J. Burt (Charles Dabernow Schmendiman), Zach Finch (Albert Einstein), Joe Dougherty (A Visitor), Sean Harklerode (Gaston), Miona Lee (Germaine), Tim Lee (Freddy), Kat Moraros (Sagot), Sebastian Summers (Pablo Picasso) and Alejandra Vivanco (Suzanne).

Picasso at the Lapin Agile runs October 19, 2018, through November 4, 2018, at the Otherworld Theatre’s new home at 3914 N. Clark Street in Chicago. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. with one industry evening performance at 7:30 p.m. on Monday, October 22, 2018. Tickets are $20 General Admission, $15 Seniors and Students and available in advance through Brown Paper Tickets.

Picasso at the Lapin Agile is presented by special arrangement with Samuel French, Inc.

Find out more about Ghostlight Ensemble and its entire 2018-2019 Season here.

Thanks to everyone who attended 'The Princess Without Pots'

Thanks to everyone who attended the inaugural production in our Nightlight young audiences series, The Princess Without Pots. We loved seeing all the tiny princesses and princes who joined us in the Land of Contentment.

In our second year of Nightlight we plan to expand the idea of what the series beyond the stage. To do this, we'd love to hear from you. What would you and your children like to get out of Nightlight? Are you interested in the craft of theater — learning how to make the props and costumes you see in the show, learning how to put on your own play, etc.  — or would you like more educational programing to accompany the performances? Would you be interested in more interactive pieces? Or maybe you just want more pillows on the floor? Whatever it is we'd love to hear from you. 

The next show in the Nightlight series will be an original adaptation of Oscar Wilde’s children’s story The Selfish Giant.

The Selfish Giant is a tale of a giant who owns a beautiful garden, in which the village children love to play. The giant has been away for 12 years and upon returning is outraged to see the children enjoying themselves on his land. He builds a wall to keep them out and puts up a notice that reads: “TRESPASSERS WILL BE PROSECUTED.” But without the children, the garden falls into perpetual winter and the Selfish Giant finds himself isolated and all alone. Despite this bleak beginning, the story ultimately has a happy ending.

More information on this production will be available soon!

Alternate poster design for The Princess Without Pots (Day 1)

We've been asking our young audience members at The Princess Without Pots to come with some alternate poster art for the show. Over the next few days we'll be featuring some of them here and on social media.

Today's design is by first grader Amelia Hood, age 7, of Chicago.

The Princess Without Pots is an empowering fairy tale about the importance of never underestimating your opponent or the power of a delicious baked good. In it, Princess Cristina’s parents have decided it’s time for their daughter to marry, so all the princes from all the lands come hoping to marry her. But, to win this princess’s heart, a prince first needs to win a battle against the fiercest warrior the age had ever seen – Princess Cristina. Learn more on the show page.

If your budding artist has a design for us, remember you can always scan it in and email it to us at maria@ghostlightensemble.com.

Ghostlight celebrates Girl Power and the power of Spanish pastries in its latest production

Ghostlight Ensemble will launch its young audience series, Nightlight, in June with the world-premiere production of The Princess Without Pots, a new tale of a warrior princess and her parents’ frustrating quest to compel her into a storybook romance.

“This is a play that celebrates just that, the wonderful capacity that children have for make-believe and play that we lose as we get older,” said Maria Burnham, the playwright and director. “With The Princess Without Pots, and with Nightlight in general, we hope to encourage future generations to keep a little bit of that with them as they grow.”

The Princess Without Pots is an empowering fairy tale about the importance of never underestimating your opponent or the power of a delicious baked good. In it, Princess Cristina’s parents have decided it’s time for their daughter to marry, so all the princes from all the lands come hoping to marry her. But, to win this princess’s heart, a prince first needs to win a battle against the fiercest warrior the age had ever seen – Princess Cristina.

“We hope we’ve built a world that encourages children of all genders to choose the path best suited to them without any of the limitations society wants to place on them,” Burnham said. “We wanted to create a world in which fighting like a girl is something everyone aspires to do.

“But we also wanted to create a production that is just a lot of fun to watch – one that inspires kids to go home and play Princess Without Pots.”

The Princess Without Pots stars: Brian Barber (Prince Brax), Norman J. Burt (The King), Jessica Casillas (Carl the Hapless Knight, Prince Harry of Strathbane, Camila the Squire, Montage Princes) Pearl Paramadilok (Princess “Sweet Pea” Cristina), Isa Ramos (Prince Miguel), Sydney Ray (The Queen), Josh Razavi (King Brawn, Prince Vlek of Ice Moutain, Phil the Long-Suffering Squire, Montage Princes), Kayla White (Advisors 1-3) and Emilio Williams as the voice of the narrator. Understudies include Sean Hendrickson (Prince Brax), Jessica Casillas (Princess “Sweet Pea” Cristina) and Jean E. Burr (Ensemble roles).

The production team is: Maria Burnham (Playwright, Director), Jean E. Burr (Assistant Director), Carrie Campana (Costume Designer), Jessie Cole (Stage Manager), Dave Gonzales (Fight Designer), Carolyn Minor (Production Manager, Set Painter) and Chad Wise (Props Designer). The poster design for The Princess Without Pots is by Addison Wise, age 8, of Aurora, IL.

 Tickets are now available for The Princess Without Pots, which runs on Saturdays at 11 a.m. and Sundays at 1:30 p.m. from June 9 to July 1 at Laugh Out Loud Theater in the North Center neighborhood of Chicago (3851 N. Lincoln Ave.) Tickets are: $10 adults, $5 children 12 and under or $25 family of four.

The cast will also be performing an abridged version of the show at the North Center Ribfest at 2 p.m. on Saturday, June 9 in the Kids Square. A complete scheduled of Kids Square activities and entertainment can be found on the Ribfest website at ribfest-chicago.com.

Introducing the cast of The Princess Without Pots

Pearl Paramadilok as Princess Sweet Pea (left) and Brian Barber as Brax (right) in rehearsals for The Princess Without Pots.

In June, we're bringing young audiences a new tale of a fighting princess and her parents' frustrating quest for a storybook romance in The Princess Without Pots.

Saturdays and Sundays in June this world-premiere production will take place at Laugh Out Loud Theater in the North Center of Chicago (3851 N. Lincoln Ave.)

The play is written and directed by Ensemble Member Maria Burnham and stars Pearl Paramadilok as Princess Sweet Pea and Brian Barber and Isa Ramos as her would-be suitors Brax and Miguel with Norman J. Burt, Jessica Casillas, Sydney Ray, Josh Razavi, Kayla White and understudy Sean Hendrickson.

The production team includes: Jean E. Burr (Assistant Director), Carrie Campana (Costume Designer), Dave Gonzales (Fight Designer), Carolyn Minor (Production Manager) and Chad Wise (Props Designer).

Tickets are $10 adults, $5 children 12 and under or $25 family of four and are on sale now.
 

Thank you for a sold out run of 'An Ideal Husband'

We were so fortunate to have nearly 300 people join us for a sold out run of An Ideal Husband. Thank you to everyone — actors, production team, volunteers, audience members and Saints — who helped make this a phenomenal experience for our new company.

If you'd like to learn more about Ghostlight Ensemble, please visit our website and spend some time poking around. We have company bios, past productions, details on how to volunteer and support us and — coming soon — our Season 2 announcement.

In the meantime, check out the final show in our season, The Princess Without Pots — the story of a princess who has studied every weapon known to human existence and knows how to use them...as long as you don't need to know which knife is best for chopping carrots. The show is tailored to young audiences, but meant to be enjoyed by all.

An Ideal Husband is a hit!

From left: Alex Ireys (Lord Goring) and Richard Engling (Lord Caversham) in An Ideal Husband. (Photo by Maria Burnham/Ghostlight Ensemble)

Rave reviews from audience members and critics alike are piling up for Ghostlight Ensemble's production of Oscar Wilde's An Ideal Husband, which has sold out every production (including previews) so far.

Splash Magazine says "it is a delightful show and highly recommended." While the Chicago Reader also recommends this "savvy" production calling it,  "remarkable: a compelling examination of acute moral dilemmas faced by recognizable people with rich inner lives." And Chicago On Stage says of the cast, "the acting is uniformly excellent" and adding this "a first-rate production."

Meanwhile audience members have said, "Perfectly staged in the Berger Park Cultural Center mansion, elegantly costumed, and finely acted, this is a show to see."

It definitely IS a show to see. But you'll need to get your tickets in advance for An Ideal Husband, which runs through April 28, because we've been turning people away at the door. Tickets are available now through Brown Paper Tickets.

Scenic Designer Needed for An Ideal Husband

Ghostlight Ensemble is seeking a designer to enhance the scenic dressing and practical lighting of our site-specific spring production of An Ideal Husband.

The designer may also be asked to aid in sourcing a small amount of hand props. If so, the stipend will be adjusted accordingly.

The performance space is The North Mansion/ Gunder House in Berger Park (6205 N. Sheridan Rd., Chicago, 60660), which provides the perfect backdrop for this production. As such, there will be minimal scenic elements and lighting fixtures for each setting.

Schedule Details
Load-in: April 2, during the day
Tech: Evenings April 2-5
Preview: April 6
Performances: April 7-28 Friday night and Saturday 2:30 p.m. & 7:30 p.m., with an additional performance on Monday, April 9

Stipend
Small stipend to be negotiated with experience

To Apply
Please send resume and cover letter to Production Manager Janette Bauer at bauer.janette@gmail.com.