Auditions announced for Invaders of Mathmatica

Ghostlight Ensemble is casting for its February production of Invaders of Mathmatica by Ensemble Member Nick Conrad. Invaders of Mathmatica is part of our Nightlight young audiences series, which produces original, adapted and forgotten plays geared toward children and the adults who love them. The play tells the story of the planet of Mathmatica where math and science are revered above all else. But their culture has advanced without artistic expression and with a fear of outsiders. The planet has shut itself off from other worlds, figurative and literally. But when three outsiders crash on the surface bringing with them music, art and dance, the princess of Mathmatica begins to question the logic of their isolationist tendencies and the history she’s always been taught.

Please note: We will also be casting for a workshop staged reading of Drink the Past Dry with an invited audience. More information on that is available here. Please indicate in your submission if you are interested in being considered for this project as well.

Character Type:
Ghostlight will be casting for the following roles and for two understudies to split coverage of roles. Casting for the following:

King Algebra of Mathmatica: A fair and kind ruler. He trusts The Prime Council even though he doesn’t always agree with them. He loves his Daughter and his people, but is torn between her wishes and what he believes is best for his people.

Princess V: Happy, energetic longs for adventure. V wants to know what life on other planets is like. She is smart, a quick study and always looking to the sky. She only has one friend Digit, a robotic caretaker.  

Digit: The Robotic friend and assistant to V.

Sway: from Dancetopia- Comes from a culture that uses dance and body movement as their primary artistic expression. Moves fluidly and gracefully like a ballerina.  This actor also plays Vector.

Hue: from Artopolis- hails from a world that celebrates all types of art. Always drawing and painting on everything. Always getting in trouble.  This actor also plays Factor.

Aria: from Vo-cal- The planet of Vo-cal celebrates singing in all forms Mostly speaks in singsong. Sings when nervous. This actor also plays Ratio.

Vector: Leader of the Prime Council knows the secrets of Mathmatica but conceals it from everyone to remain in power. Fears outsiders and is terrified of losing power and influence.

Factor: Always falls in line with Vector. Backs up everything they say and do.

Ratio: The religious leader of the planet. Prays in Pi. “Let us Pray 3.14-159-265-3589”

Time Commitment:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days in January 2025. Final dates will be confirmed after review of cast conflicts.

Cast members and understudies MUST be available the following dates:

Tech: Saturday, February 1, 2025, 11 a.m. to 2 p.m. and rehearsals during the week of Feb. 3-7 in the evenings.

Performances: Saturday and Sunday at 2 p.m. Feb. 8-9 and Feb. 15-16, 2025, at Bughouse Theatre in the NorthCenter neighborhood of Chicago (1910 W Irving Park Rd, Chicago, IL 60613).

Materials To Prepare:
Please submit your headshot and resume to Jean Mueller-Burr, Casting Director, at casting@ghostlightensemble.com. Please clearly indicate if you have any conflicts during indicated audition times on Dec 14 & Dec. 15. Please also indicate if you’d like to be considered for the staged reading of Drink the Past Dry.

Sides will be provided.

Pay:
Cast & Understudies: $100 rehearsal stipend + $25 per performance. In addition, performers will receive one comp ticket to a performance of their choosing.

Audition Time & Location:
General: Saturday, Dec. 14: 10:30 to 1:30 p.m. at City Lit Theater (1020 W Bryn Mawr Ave, Chicago, IL 60660)

Callbacks: Sunday, Dec. 15: 3 p.m. to 6 p.m. at City Lit Theater.

Contact:
Jean Mueller-Burr
Email: casting@ghostlightensemble.com

G.E.T. ready to Make/Believe this weekend!

Sophie Hernando Kofman (left) and Joselle Reyes star in Krill’s Quest, written by Angelle Whavers and directed by Joel Willison, as part of Make/Believe.

Gwyneth Clare (left) and Adeera Harris star in Can You Hear the Mermaids Singing?, written by Rachel Atkins and directed by Rebecca Rose Schilsky.

Make/Believe 2022 takes the stage beginning this weekend! The outdoor show features seven short plays geared toward audiences 10 and under, but meant to be enjoyed by all ages.

The show will take place (light) rain or shine at the NorthCenter Town Square, starting at 2:30 p.m.. on Saturday, July 16, and continues the following two Saturdays. Come early to enjoy the NorthCenter Farmers Market and then stay for our show.

The seven stories that make up this year’s festival are filled with young people, plants, puppies and a blue balloon who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the littlest fish in the ocean proving all sizes matter in Krill’s Quest, the protagonists in these plays face the types of struggles modern children will recognize from their own lives.

All seven plays will be produced on each day of the festival at the new NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating is available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated.

Selected scripts are Asherella by Lori Taylor, Best Friends by Adam Eugene Hurst, A Blue Hydrangea by Eric Braman, Can You Hear the Mermaids Singing? by Rachel Atkins, It's Poppin' by Steven San Luis, Krill’s Quest by Angelle Whavers and Sunshine and the Sea of Lost Things by Sarah Lina Sparks. Information on the plays, along with cast and crew biographies are available on the Make/Believe webpage.

Make/Believe is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce.

Make/Believe takes place outdoors on the last three Saturdays in July – July 16, 23 and 30, 2022, at 2:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Sign up for theatre classes, part of the Make/Believe festival!

This year we’re offering two days of theatre classes as part of our Make/Believe festival for young audiences. Choose from Building the Character — Literally, Building the Story or Building the World.

This year an emphasis was placed on producing pieces for Make/Believe in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. These three stage craft classes are mean to do just that - help this next generation of theatre artists craft their own stories and shows at home.

Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only. Details on the classes are available here.

Culturally Rich, Diverse Stories Spotlighted in 2nd Annual Festival for Young Audiences

“Sunshine And The Sea of Lost Things” is one of six plays that make up the 2021 Make/Believe festival. (From Left: Alexandra Alontaga, Roxy Adviento and Cooper Bohn)

A child with no memory lost at sea, a balloon afraid of soaring through the clouds, a splash of Black Girl Magic. Welcome to year two of Make/Believe, a theatre festival that challenges its young (and young-at-heart) audiences to indulge their imagination and open their minds to all the beautiful, complicated ways life presents itself.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 10 and under, but which are also meant to be enjoyed by all ages. This year an emphasis was placed on producing pieces in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. The festival has also expanded to include three classes centered around stage craft, to help this next generation of theatre artists craft their own stories and shows at home.

“Make/Believe includes the type of complex storytelling modern children expect from their entertainment,” said Maria Burnham, the curator and producer of Make/Believe. “This is theatre with a message, with deeper meaning, with conflict of morality; it is a reflection of the life they see around them every day.”

Last year’s Make/Believe festival proved wildly popular, with both shows selling out and waiting lists that had to be turned away. While the move to a digital presentation this year was necessitated by COVID-19, the added benefit is that there is no limit to the number of people who can attend and participate.

“While we’ve lost some of the magic that comes with being together, we’ve also loosened the barriers about who has access to both do and see theatre and that isn’t a bad trade,” Burnham said.

The six stories that make up this year’s Make/Believe festival are filled with young people, plants and a puppy who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the pink hydrangea that knows it was born to be blue in A Blue Hydrangea, the protagonists in these plays face the types of struggles children will recognize from their own lives.

Rashaad A. Bond

“For me, the opportunity to direct for Ghostlight Ensemble is an opportunity to show children that grew up like me that there is a place for them in theatre,” said Rashaad A. Bond, director of Best Friends. “It is an opportunity to show them stories they can relate to not just because they are universal truths, but because the people they’re watching look like them as well.”

Selected scripts include:

• Best Friends, written by Dallas playwright Adam Eugene Hurst, is the story of Brooklyn a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well-worn stuffed animal dog toy, wants nothing to do with that. Best Friends is directed by Rashaad A. Bond. Cast: Dara Brown and Clara Johnson.

• A Blue Hydrangea, written by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that is blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. Blue Hydrangea is directed by Alyssa Vera Ramos. Cast: Ariel Etana Triunfo and Will Pettway.

• The Friend Box and The Box Friend, written by Chicago playwright Kim Z. Dale, takes place during a school show-and-tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. The Friend Box and The Box Friend is directed by Jonathan M. Saucedo. Cast: Tommy Blackburn, Heather Bronson, Meg Collins and Terri Hudson with Jean Burr, Christopher Mueller, Sydney Ray and Holly Robison.

• It's Poppin', written by Georgia playwright Steven San Luis, is the story of a young kid who is afraid of moving to a new city and finds themself talking to a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. It’s Poppin’ is directed by Rebecca Rose Schilsky. Cast: Levi Denton-Hughes and Emmett Wickersham.

• Splash of Magic, written by Chicago playwright Lori Taylor, is the tale of Diane, an 8-year-old Black girl who is scared to go in the pool without something to keep her afloat. When she discovers her Black Girl Magic, she realizes she can conquer any fear, as long as she believes in the magic that lives inside her. Splash of Magic is directed by Kayla V. White and Aria Caldwell. Cast: Aria Caldwell, Nick Conrad and Toma Lynn Smith.

• Sunshine and the Sea of Lost Things, written by California playwright Sarah Lina Sparks, follows a young mixed-race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever. Sunshine and the Sea of Lost Things is directed by Roxy Adviento. Cast: Alexandra Alontaga, Roxy Adviento and Cooper Bohn.

Stagecraft classes will also be available virtually for children as part of this year’s festival. Families can choose from Building the Character — Literally, Building the Story or Building the World. Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only.

More information — including bios, ticket information and class descriptions— is available on our website.

In late 2020, Ghostlight put out a call for scripts for young audiences that were ethnically and culturally diverse, written by writers of color and/or LGBTQ writers and that could be produced virtually. Over 100 short plays were submitted from writers all over the world. Final selections were made in February 2021.

The festival was crafted to appeal to all ages and its “live” weekend run is perfect for families looking for daytime entertainment during a time of year when outdoor events can be unpredictable. Make/Believe takes place Saturday, June 5 and Sunday, June 6, 2021, at 2 p.m. The performances will also be available to stream on-demand through Sunday, July 4.

Tickets are Pay-What-You-Will, with a minimum donation of $1, but a suggested donation of $10 for the performance and $5 per class. By donating more, patrons help offset the cost for those who can’t afford to give.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Plays selected for Make/Believe festival in June

A talking balloon, a girl stranded in the Sea of Lost Things, a school show and tell via Zoom. Welcome to the scripts that make up Make/Believe 2021.

Make/Believe is a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

More than 100 scripts were submitted from all over the world for consideration in 2021’s festival. The short plays had to be adaptable to both virtual and live performances. Script selection was made earlier this month. Performances are scheduled for June.

Selected scripts include:

• Best Friends, by Dallas playwright Adam Eugene Hurst, tells the story of Brooklyn, a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well worn stuffed animal dog toy, wants nothing to do with that.

• A Blue Hydrangea, by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that are blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement.

• The Friend Box and The Box Friend, by Chicago playwright Kim Z. Dale, takes place during a school show and tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right.

• It's Poppin' , by Georgia playwright Steven San Luis, is the story of a young girl who is afraid of moving to a new city and a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them.

• Splash of Magic, by Chicago playwright Lori Taylor, teaches boys and girls to overcome their fears by believing in themselves. Diane is an eight-year-old black girl who is scared to go in the pool without something to keep her afloat. When she discovers her black girl magic, she realizes she can conquer any fear as long as she believes in the magic that lives inside her.

• Sunshine and the Sea of Lost Things, by California playwright Sarah Lina Sparks, follows a young mixed race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever.

Ghostlight Ensemble Goes Online For Season Four

Ghostlight Ensemble announced its Season 4 lineup, which brings back two popular offerings and introduces a new reading series of historically overlooked female playwrights. This season the company will present its offerings online, with the hopes of moving back to the stage in the summer of 2021.

“We're all diving into unknown territory with our medium moving into a digital world, but ultimately that unknown is what Ghostlight has been about since the beginning,” said Co-Artistic Director Miona Lee.

“The landscape of theatre is rapidly changing,” added Co-Artistic Director Kayla White. “I'm really looking forward to leading Ghostlight to be a force of positive change in the Chicago theatre scene, to dismantle old traditions and build an inclusive, anti-racist and SAFE place to create theatre together.”

Holiday Cabernet host Coco Sho-Nell

Ghostlight will begin its fourth season in December with a perennial winter favorite, the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a virtual setting with a host filled with holiday spirits! Taking the emcee mic this year is the glamorous Coco Sho-Nell, a Chicago-based drag performer with roots in musical theatre.

Acts range from comedians and clowns to musicians, dancers and more. Artists include: Comedy Dance Collective, Daija Nealy, Danielle Levsky, Improvised Jane Austen, Nate Perez & Anneliese Ayers, Nitty Gritty, Plucky Rosenthal and Tyler Ross.

In addition, last year’s vendor area proved so popular, that we’re bringing it back in virtual form this year. Peruse the online offerings before, during and after the show and support independent artists while scoring unique gifts that everyone will be buzzed about.

The live, but virtual, Holiday Cabernet takes place at 8 p.m. on Saturday, December 12. Additional details, including artist bios, vendor wares and how to reserve tickets are available here.

In the new year, Ghostlight will launch its new reading series, For Your (Re)Consideration, which will explore the works of historically overlooked female playwrights. Featuring a variety of distinct voices and styles from different historical periods, the virtual readings will be scheduled throughout the season and seek to bring attention to these remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race.

Epic Tales from the Land of Melanin from 2020’s Make/Believe festival

Rounding out the season in June, the company will once again present Make/Believe, a curated festival of short plays by playwrights from around the country geared towards children 10 and under. Last year’s performances played to sold out houses. This year, Ghostlight plans to offer both a virtual version and a live, outdoor version, as health guidelines permit.

Plays are currently being solicited and script selection will be made in early January. Playwrights interested in submitting to the festival can find more details on the Ghostlight website.

“I honestly don't know how we'll see Ghostlight evolve over the next year,” Lee said. “I can tell you that we will never stop pushing to ask the tough questions and bring our audiences thought-provoking work.”

Find out more about Ghostlight Ensemble and the entire 2020-2021 Season here.

Be a Generous Giant for The Selfish Giant, a show for young audiences

Every theatrical production involves a team of artist on the stage and behind the scenes to bring the stories you're seeing to life. Most of these people perform, design and build without ever being paid for their efforts.

At Ghostlight, we strive to provide everyone with an stipend to help offset the costs of traveling to rehearsal and performances or running all over town to gather materials for costume, set and properties construction. That's not always an easy task when trying to provide affordable family-friendly entertainment with rental rates in Chicago at all-time highs.

We hope you'll help up reach our goal by supporting theater for young audiences.

Find out more about The Selfish Giant and our campaign here.  

Happy New Year!

We've got lots of fun things planned for 2019, including the next installment of our Nightlight series for young audience, more live movie readings, plus Season 3 announcements.

We'll keep you up-to-date with all our happenings here in the news section of our website, but you can also follow our social media (see bottom of this web page for direct links to all).

We've loved getting to know all of you over the past two and half years and can't wait for you to see what's next for Ghostlight. We've revised our mission statement to better reflect who we are and what you can expect from us. We'll hope you join us for the next leg of this exciting journey.

Thanks to everyone who attended 'The Princess Without Pots'

Thanks to everyone who attended the inaugural production in our Nightlight young audiences series, The Princess Without Pots. We loved seeing all the tiny princesses and princes who joined us in the Land of Contentment.

In our second year of Nightlight we plan to expand the idea of what the series beyond the stage. To do this, we'd love to hear from you. What would you and your children like to get out of Nightlight? Are you interested in the craft of theater — learning how to make the props and costumes you see in the show, learning how to put on your own play, etc.  — or would you like more educational programing to accompany the performances? Would you be interested in more interactive pieces? Or maybe you just want more pillows on the floor? Whatever it is we'd love to hear from you. 

The next show in the Nightlight series will be an original adaptation of Oscar Wilde’s children’s story The Selfish Giant.

The Selfish Giant is a tale of a giant who owns a beautiful garden, in which the village children love to play. The giant has been away for 12 years and upon returning is outraged to see the children enjoying themselves on his land. He builds a wall to keep them out and puts up a notice that reads: “TRESPASSERS WILL BE PROSECUTED.” But without the children, the garden falls into perpetual winter and the Selfish Giant finds himself isolated and all alone. Despite this bleak beginning, the story ultimately has a happy ending.

More information on this production will be available soon!