An Update on the Coronavirus and Ghostlight Ensemble

As with so many other arts organizations in the Chicago area, Ghostlight Ensemble has made the decision, after careful consideration, to postpone our spring production of Much Ado About Nothing in light of public health considerations around the Coronavirus disease (COVID-19). 

In addition, we have also postponed our live reading series. Our reading, Great Scott!: It's a Live Reading of Back to the Future, originally scheduled for Monday, March 22, will be rescheduled once the pandemic has passed.

Our first priority is to honor the health and safety of all involved — both actors and audience. Ghostlight is fortunate to be in a position to survive this crisis, but not all the artists who work with us have the financial resources to weather this storm. Therefore, we are asking our supporters to consider donating to Season of Concern, a non-profit who for 30+ years has provided financial support to local Chicago theatre artists suffering from illness, injury or circumstance.

Because so many shows have been canceled or postponed, our local theatre artists are hurting financially. Please help support our peers that may be suffering these hardships and who may also have medical needs in the near future.

It is our hope to present Much Ado About Nothing at a later date, either this summer or next season. It is also our hope to continue the live movie reading series in April with our next scheduled reading of Drop Dead Gorgeous and to reschedule Back to the Future to a later date in the summer or fall. Of course, this will depend on a number of factors that are out of our control and difficult to predict at this time. We will keep everyone up-to-date as things progress.

As always, we welcome your thoughts, suggestions, and input as we navigate this completely unprecedented situation in the most compassionate and conscious way we are able.

All of us at Ghostlight can't wait to gather together again and share the stories that tie us all together as a community. Let's all take good care and stay connected, even as we are forced to physically be apart.

Be a Generous Giant for The Selfish Giant, a show for young audiences

Every theatrical production involves a team of artist on the stage and behind the scenes to bring the stories you're seeing to life. Most of these people perform, design and build without ever being paid for their efforts.

At Ghostlight, we strive to provide everyone with an stipend to help offset the costs of traveling to rehearsal and performances or running all over town to gather materials for costume, set and properties construction. That's not always an easy task when trying to provide affordable family-friendly entertainment with rental rates in Chicago at all-time highs.

We hope you'll help up reach our goal by supporting theater for young audiences.

Find out more about The Selfish Giant and our campaign here.  

Steve Martin, Oscar Wilde Part Of Ghostlight Ensemble’s Second Season

Ghostlight Ensemble will tackle the age-old debate of which is more valuable to society: art or science, and will probe the perils of building a wall to keep out unwanted children during its 2018-2019 Season.

Pablo Picasso, 1908

This fall, Artistic Director Holly Robison directs Steve Martin’s Picasso at the Lapin Agile – an absurdist comedy that imagines a meeting between Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

 Ghostlight’s production will explore the struggles and similarities between science and art, but also between genius and fame, big ideas and mere notions and optimism of the new and skepticism of the familiar.

“The play imagines the absurd and mundane in the lives of two men who really did go on to impact the world and alter history,” Robison said. “With Picasso, we are asked to consider the men as much as the myth, to see their flaws, silliness, insecurities, hopes and dreams, as much as their towering legacies. The mythic men are humanized. We can see ourselves in them and understand their desires.

“Even if we are not all geniuses, we all to some degree have the same flicker of desire to create, to inspire, to change the world and leave something behind.”

Picasso at the Lapin Agile runs October 19, 2018, through November 4, 2018, at the Otherworld Theatre’s new home at 3914 N. Clark Street in Chicago. The show will have performances on Friday and Saturday evenings and Sunday afternoon matinees, with an industry night performance on Monday, October 22.

The company will continue its Nightlight young audiences series next summer with a new adaptation of Oscar Wilde’s children’s story The Selfish Giant, written by Ensemble Member Maria Burnham.

The Selfish Giant is a tale of a giant who owns a beautiful garden, in which the village children love to play. The giant has been away for 12 years and upon returning is outraged to see the children enjoying themselves on his land. He builds a wall to keep them out and puts up a notice that reads: “TRESPASSERS WILL BE PROSECUTED.” But without the children, the garden falls into perpetual winter and the Selfish Giant finds himself isolated and all alone. Despite this bleak beginning, the story ultimately has a happy ending.

Nightlight is Ghostlight’s summer young audiences series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

In its second full season, the company will also host a holiday cabaret this December and continue its popular Live Movie Reading Series.

Next up in the Live Movie Reading Series batting order is: You're Killing Me, Smalls: A Live Reading of The Sandlot. The reading, celebrating the 25th anniversary of this coming-of-age story set during the summer of 1962, takes place at 7:30 p.m. Monday, July 16, at My Buddy's (4416 N. Clark Street, Chicago, IL 60640) and is directed by Carolyn Minor.

Introducing the cast of The Princess Without Pots

Pearl Paramadilok as Princess Sweet Pea (left) and Brian Barber as Brax (right) in rehearsals for The Princess Without Pots.

In June, we're bringing young audiences a new tale of a fighting princess and her parents' frustrating quest for a storybook romance in The Princess Without Pots.

Saturdays and Sundays in June this world-premiere production will take place at Laugh Out Loud Theater in the North Center of Chicago (3851 N. Lincoln Ave.)

The play is written and directed by Ensemble Member Maria Burnham and stars Pearl Paramadilok as Princess Sweet Pea and Brian Barber and Isa Ramos as her would-be suitors Brax and Miguel with Norman J. Burt, Jessica Casillas, Sydney Ray, Josh Razavi, Kayla White and understudy Sean Hendrickson.

The production team includes: Jean E. Burr (Assistant Director), Carrie Campana (Costume Designer), Dave Gonzales (Fight Designer), Carolyn Minor (Production Manager) and Chad Wise (Props Designer).

Tickets are $10 adults, $5 children 12 and under or $25 family of four and are on sale now.