Announcing the plays of Make/Believe 2023!

An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of Ghostlight Ensemble’s Make/Believe short play festival for young audiences this year.

Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

“These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

This year’s plays include:

• The Thing That Comes to the Basement by Chicago playwright Lori Taylor, whose work will be familiar to past Make/Believe audiences, as she’s been a part of all our previous festivals. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend.

• Hannah and Halmoni Save the World! by Chicago playwright Juliet Kang Huneke. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us.

• The Edge of Play by Provo, Utah, playwright Janine Sobeck Knighton. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most.

• Finding Belief by Portland playwright Kwik Jones. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief?

• Guardian of the House (Τόπακας) by Chicago playwright and Ghostlight Ensemble Member Maria Burnham. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry.

Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated.

Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them.

More information will be available on the Make/Believe show page.

Call for scripts: Seeking short children's plays for 4nd annual Make/Believe festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.

Playwrights will receive $25 per selected script.

Selected plays will be produced in the late spring of 2022 as part of the fourth annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival, the 2021 festival and the 2022 festival with these links.) The performances will be held live, with a location or locations TBD.

Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered. 

Requirements

• A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children.

• Plays must have minimal to no technical demands, as there is a possibility these plays will be performed outside and/or in multiple locations. There may be no lighting or backstage area, although minimal sound cues will be available.

• Must fit our mission.

• Geared toward children 11 and under. Please, NO scripts about high school students.

• All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home).

• Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe. 

Electronic submissions only, please. Submit cover letter with full contact information, a short author bio, brief synopsis of script — including development and production history (if applicable) — and the full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]. To clarify, the information in brackets should be replaced by the name of your play and your name.

The deadline for submissions is December 31, 2022.

Call for scripts: Seeking short children's plays for 3nd annual Make/Believe festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.

Playwrights will receive $25 per selected script.

Selected plays will be produced summer of 2022 as part of the third annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival here and the 2021 festival here.) This for live, outdoor performances.

Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered. 

Requirements

• A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children.

• Plays must have no technical demands, as this will be outside and there is no lighting or backstage area and minimal sound cues will be available.

• Must fit our mission.

• Geared toward children 10 and under. Please, NO scripts about high school students.

• All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home).

• Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe. 

Electronic submissions only, please. Submit cover letter with full contact information, short bio, brief synopsis of script including development and production history (if applicable) and full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]

The deadline for submissions is December 31, 2021.

Toll of war on those devalued by society examined in Mine Eyes Have Seen, War Brides

Angelisa Gillyard

Ghostlight Ensemble continues its series on historically overlooked female playwrights with two one act plays — Mine Eyes Have Seen by Alice Dunbar Nelson and War Brides by Marion Craig Wentworth — that deal with wars and the battles families are forced to fight amongst themselves when someone is called to “serve.”

What attracted director Angelisa Gillyard to these scripts is their examination of war not from the soldier’s point of view, but as it is experienced by those left behind when soldiers go off to fight.

“Coming from a family in which many of the men have served in the military and fought on the front lines of war, I was immediately intrigued by Mine Eyes Have Seen,” Gillyard said. “I wondered how they came to their decisions to serve. Did they struggle with determining to whom they owe their greatest duty — family or country? 

“I also wanted to explore war from a woman’s point of view, and thus War Brides was a natural choice.  Women’s voices are not typically heard in conversations about war and this play brings them to the forefront.”

Written in the final years of World War I, Mine Eyes Have Seen is the story of a Black family that fled the South after the father’s lynching. His wife dies of heartbreak leaving their three children to fend for themselves. The children are now young adults, but Lucy, the youngest, and Dan, the oldest, are reliant on their brother, Chris, to support them. When Chris is drafted, he is forced to wrestle with the idea of serving a country that has not served his family. The play is an examination on the nature of patriotism, citizenship, sacrifice and what those mean for people who have been betrayed by their own country.

Published in 1915, War Brides looks at the role of women in supporting war at the home front, and the expectations that they willingly send their husbands and sons to die in wars. It highlights one woman’s determination, after her loss of a husband and brothers to war, to no longer become a tool for war. The play also demands that if women are expected to work and sacrifice for war, they should be given full voice in the decisions to go to war.

The cast for both shows is: Tai Alexander, Charles Franklin, Marcus John, Sydney Johnson, Ben Lauer, Bryanda Minix, Deidre Staples and Lindsay Williams. Angelisa Gillyard is a Washington, D.C.-based director who has worked with Young Playwrights’ Theater, Arena Stage, In Series, Studio Theatre, Freshh Theatre Inc, University of Maryland and Montgomery College. Full bios of the actors, director and playwright will be available on Ghostlight’s website at http://www.ghostlightensemble.com/mine-eyes-have-seen

The initial broadcast of Mine Eyes Have Seen and War Brides takes place over Zoom at 2 p.m. on Sunday, April 18, and a talkback with the director will take place immediately following. A recording of the performance will be available to stream through May 9.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. Tickets are available on our website at GhostlightEnsemble.com/For-Your-Reconsideration. Please make sure to select the production and performance you are interested in receiving a link to view.

Featuring a variety of distinct voices and styles from different historical periods, For Your (Re)Consideration seeks to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. The series is curated by Ensemble Member Holly Robison. 

The initial play in the series, The Convent of Pleasure, written by Margaret Cavendish and directed by Andrew Coopman, premiered on April 2 and is now streaming on-demand, as is Distinguished Villa, written by Kate O’Brien and directed by Elizabeth Lovelady, which premiered on April 11.

Additional upcoming readings include:

• April 25: Warp and Woof by Edith Lyttelton, directed by Christina Casano

• May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.

An Exploration Of Gender And Desire Takes The Digital Stage In ‘Distinguished Villa’

Elizabeth Lovelady

Ghostlight Ensemble continues its series on historically overlooked female playwrights with Distinguished Villa, a play by the Irish playwright Kate O’Brien dealing with the suffocating consequences that can come from the trappings of middle-class life.

Though written in 1926, Distinguished Villa, has a modernness to it and a feeling of relevancy that time has proved many of O’Brien’s male counterparts lack, according to director Elizabeth Lovelady.

“When I read Distinguished Villa, I was amazed with how contemporary it felt, particularly in regard to the way it challenged gender norms and represented female sexuality,” Lovelady said. “While these characters were born of another era, their interior battles are strikingly similar to those we all currently face. I think it serves as a reminder of the many commonalities humans have across time and distance.” 

Distinguished Villa portrays the desperate lives led by the commuting class. In it, Mabel Hemworth boasts she and her husband "are known round here as the model of what a married couple should be." But the arrival and then potential departure of a female lodger makes Mabel’s husband realize he is, in fact, profoundly miserable. Frances meanwhile has developed a mutually loving relationship with another man. This is not a story with a happily ever after ending, however.

In the play, we see the seeds of what later became a hallmark of O'Brien's work — groundbreaking depictions of the sexual frustrations of women and an understanding of the wide diversity of sexuality and gender expression.

The cast is: August Forman, Christian Cook, Micah Figueroa, Allison McCorkle, Jordan Ford and Kim Fukawa. Full bios of the actors, director and playwright are available on Ghostlight’s website at www.ghostlightensemble.com/distinguished-villa

The initial broadcast of Distinguished Villa takes place over Zoom at 2 p.m. on Sunday, April 11, and a talkback with the director will take place immediately following. A recording of the performance will be available to stream through May 9.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. Tickets are available on our website at GhostlightEnsemble.com/For-Your-Reconsideration. Please make sure to select the production and performance you are interested in receiving a link to view.

Featuring a variety of distinct voices and styles from different historical periods, For Your (Re)Consideration seeks to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. The series is curated by Ensemble Member Holly Robison. 

The initial play in the series, The Convent of Pleasure, written by Margaret Cavendish and directed by Andrew Coopman, premiered on April 2 and is now streaming on-demand.

Additional upcoming readings include:

• April 18: Mine Eyes Have Seen by Alice Dunbar Nelson and War Brides by Marion Craig Wentworth, directed by Angelisa Gillyard

• April 25: Warp and Woof by Edith Lyttelton, directed by Christina Casano

• May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison 

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.

Plays selected for Make/Believe festival in June

A talking balloon, a girl stranded in the Sea of Lost Things, a school show and tell via Zoom. Welcome to the scripts that make up Make/Believe 2021.

Make/Believe is a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

More than 100 scripts were submitted from all over the world for consideration in 2021’s festival. The short plays had to be adaptable to both virtual and live performances. Script selection was made earlier this month. Performances are scheduled for June.

Selected scripts include:

• Best Friends, by Dallas playwright Adam Eugene Hurst, tells the story of Brooklyn, a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well worn stuffed animal dog toy, wants nothing to do with that.

• A Blue Hydrangea, by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that are blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement.

• The Friend Box and The Box Friend, by Chicago playwright Kim Z. Dale, takes place during a school show and tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right.

• It's Poppin' , by Georgia playwright Steven San Luis, is the story of a young girl who is afraid of moving to a new city and a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them.

• Splash of Magic, by Chicago playwright Lori Taylor, teaches boys and girls to overcome their fears by believing in themselves. Diane is an eight-year-old black girl who is scared to go in the pool without something to keep her afloat. When she discovers her black girl magic, she realizes she can conquer any fear as long as she believes in the magic that lives inside her.

• Sunshine and the Sea of Lost Things, by California playwright Sarah Lina Sparks, follows a young mixed race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever.

Call for directors: Accepting submissions for virtual reading series

Ghostlight Ensemble is seeking submissions from directors for our spring virtual play reading series, For Your (Re)Consideration. Especially seeking directors who are female-identifying or non-binary, BIPOC and/or LGBTQIA+. This is open to directors in any geographic area, though directors in the greater Chicago area will receive priority.

(Re)Consideration will explore the works of historically overlooked female playwrights. Featuring a variety of distinct voices and styles from different historical periods, the virtual readings will be scheduled throughout the season and seek to bring attention to these remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race.

We are planning for virtual performances in March and April. Pieces will be pre-recorded and streamed on specified dates with plans for a brief, live post-show talkback on the first date each piece is streamed. Each piece will then be made available to audiences to stream for a limited time. Expectations are that each reading will be rehearsed and recorded entirely virtually. Ghostlight can assist with recording platforms, editing and casting as needed.

Please submit a brief cover letter, resume and photo to Holly Robison, Producing Director, at casting@ghostlightensemble.com. Electronic submissions only. Please use the following format in the email’s subject line: Reading Series Director Submission: [Your Name].

Ghostlight will reach out to selected directors for a short discussion on details and possible play assignments prior to finalizing participation. We have a library of identified plays that will be made available prior to the discussion but will also be open to discussion of suggested plays from directors.

Directors will be paid $50 per piece.

The deadline for submissions is February 12, 2021.

Ghostlight Ensemble Goes Online For Season Four

Ghostlight Ensemble announced its Season 4 lineup, which brings back two popular offerings and introduces a new reading series of historically overlooked female playwrights. This season the company will present its offerings online, with the hopes of moving back to the stage in the summer of 2021.

“We're all diving into unknown territory with our medium moving into a digital world, but ultimately that unknown is what Ghostlight has been about since the beginning,” said Co-Artistic Director Miona Lee.

“The landscape of theatre is rapidly changing,” added Co-Artistic Director Kayla White. “I'm really looking forward to leading Ghostlight to be a force of positive change in the Chicago theatre scene, to dismantle old traditions and build an inclusive, anti-racist and SAFE place to create theatre together.”

Holiday Cabernet host Coco Sho-Nell

Ghostlight will begin its fourth season in December with a perennial winter favorite, the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a virtual setting with a host filled with holiday spirits! Taking the emcee mic this year is the glamorous Coco Sho-Nell, a Chicago-based drag performer with roots in musical theatre.

Acts range from comedians and clowns to musicians, dancers and more. Artists include: Comedy Dance Collective, Daija Nealy, Danielle Levsky, Improvised Jane Austen, Nate Perez & Anneliese Ayers, Nitty Gritty, Plucky Rosenthal and Tyler Ross.

In addition, last year’s vendor area proved so popular, that we’re bringing it back in virtual form this year. Peruse the online offerings before, during and after the show and support independent artists while scoring unique gifts that everyone will be buzzed about.

The live, but virtual, Holiday Cabernet takes place at 8 p.m. on Saturday, December 12. Additional details, including artist bios, vendor wares and how to reserve tickets are available here.

In the new year, Ghostlight will launch its new reading series, For Your (Re)Consideration, which will explore the works of historically overlooked female playwrights. Featuring a variety of distinct voices and styles from different historical periods, the virtual readings will be scheduled throughout the season and seek to bring attention to these remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race.

Epic Tales from the Land of Melanin from 2020’s Make/Believe festival

Rounding out the season in June, the company will once again present Make/Believe, a curated festival of short plays by playwrights from around the country geared towards children 10 and under. Last year’s performances played to sold out houses. This year, Ghostlight plans to offer both a virtual version and a live, outdoor version, as health guidelines permit.

Plays are currently being solicited and script selection will be made in early January. Playwrights interested in submitting to the festival can find more details on the Ghostlight website.

“I honestly don't know how we'll see Ghostlight evolve over the next year,” Lee said. “I can tell you that we will never stop pushing to ask the tough questions and bring our audiences thought-provoking work.”

Find out more about Ghostlight Ensemble and the entire 2020-2021 Season here.

Call for scripts: Seeking short children's plays for 2nd annual Make/Believe festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.

Playwrights will receive $25 per selected script.

Selected plays will be produced in June 2021 as part of the second annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival here.) We are planning for a virtual performance, which means the pieces will be filmed and made available to audiences in any geographic area, but only for a limited time; and tentatively for live performances. A note on virtual performances: After the performance dates, the pieces will not be shown in full again without the playwright’s permission, although Ghostlight reserves the right to use excerpts of the performances in future promotional and marketing videos.

Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered. 

Requirements

• A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children.

• Plays must be adaptable to virtual and live performances.

• Must fit our mission.

• Geared toward children 10 and under. Please, NO scripts about high school students.

• All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home).

• Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe. 

Electronic submissions only, please. Submit cover letter with full contact information, short bio, brief synopsis of script including development and production history (if applicable) and full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]

The deadline for submissions is December 31, 2020.

Read more: Ghostlight 'Aims To Bring Voices Of Black Women, People Of Color To The Forefront'

Princess Without Pots, 2018

Block Club Chicago recently covered our leadership change and plans for the upcoming season.

Learn more about our new Co-Artistic Director Kayla V. White and the company’s plans for the future in that piece.

“I’m really excited about centering newer Black and Brown playwrights, particularly Chicago-based ones, for the upcoming season and helping them shape their piece and create something new,” White said. “That’s so exciting to me.”

White said the company also will have a reading series highlighting “lost plays” from female writers of color, with an emphasis on works from Black women.

“A lot of people tend to do the same shows. Chicago does mix it up but often it’s a retelling the same types of stories,” White said. “So this series will have a special emphasis on people of color to go back and explore a lot of different plays that are available to us. They exist, but people just aren’t really using them.”

Seeking script submission for a children's play festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) with strong female characters that are geared toward young audiences (under 12). Priority will be placed on scripts that are ethnically and culturally diverse, that do not require complicated sets or costumes and that fit our mission. This is open to playwrights in any geographic area. NO FEE.

Selected plays will be produced as part of a festival of theatre for children under our Nightlight banner in early February.

Electronic submissions only, please. Submit cover letter with full contact information, short bio, brief synopsis of script including development and production history (if applicable) and full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]

The deadline for submissions is November 1, 2019.