Up Next: A live reading of But I'm a Cheerleader

Ghostlight Ensemble presents the next installment of its ongoing live movie reading series in celebration of Pride Month: I Like Girls. A Lot.: A live reading of But I'm a Cheerleader.

Join us at 7 p.m. this Thursday — June 15 — at the Black Eagle Club (1938 W Irving Park Rd, Chicago, IL 60613), and we’ll raise a glass of something pink and fruity and not at all gay to this 1999 American satire/ teen romantic comedy/ cult classic.

But I'm a Cheerleader stars Natasha Lyonne as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to "cure" her lesbianism. At camp, Megan realizes that she is indeed a lesbian and embraces her sexuality.

The cast is: Jean E. Mueller-Burr (Megan), Rachel Warnick (Graham), Justin Broom (Mike), Hannah Compton (Mary), Maria White (Hilary) with Skye Corey, Franki Levenson-Campanale, Lotus Lindez and Sebastian Summers. The reading is directed by Kayla V. White and Justin Broom.

Food and drink are available for purchase at Black Eagle Club.  

There is a suggested donation of $5 at the door, which will help Ghostlight fund its upcoming season. We’ll also be collecting donations for The Center on Halsted’s Senior Pantry & Youth Services. The full list of needed items can be found here. Bring an item or $$$ is always welcome.

Culturally Rich, Diverse Stories Spotlighted in 2nd Annual Festival for Young Audiences

“Sunshine And The Sea of Lost Things” is one of six plays that make up the 2021 Make/Believe festival. (From Left: Alexandra Alontaga, Roxy Adviento and Cooper Bohn)

A child with no memory lost at sea, a balloon afraid of soaring through the clouds, a splash of Black Girl Magic. Welcome to year two of Make/Believe, a theatre festival that challenges its young (and young-at-heart) audiences to indulge their imagination and open their minds to all the beautiful, complicated ways life presents itself.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 10 and under, but which are also meant to be enjoyed by all ages. This year an emphasis was placed on producing pieces in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. The festival has also expanded to include three classes centered around stage craft, to help this next generation of theatre artists craft their own stories and shows at home.

“Make/Believe includes the type of complex storytelling modern children expect from their entertainment,” said Maria Burnham, the curator and producer of Make/Believe. “This is theatre with a message, with deeper meaning, with conflict of morality; it is a reflection of the life they see around them every day.”

Last year’s Make/Believe festival proved wildly popular, with both shows selling out and waiting lists that had to be turned away. While the move to a digital presentation this year was necessitated by COVID-19, the added benefit is that there is no limit to the number of people who can attend and participate.

“While we’ve lost some of the magic that comes with being together, we’ve also loosened the barriers about who has access to both do and see theatre and that isn’t a bad trade,” Burnham said.

The six stories that make up this year’s Make/Believe festival are filled with young people, plants and a puppy who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the pink hydrangea that knows it was born to be blue in A Blue Hydrangea, the protagonists in these plays face the types of struggles children will recognize from their own lives.

Rashaad A. Bond

“For me, the opportunity to direct for Ghostlight Ensemble is an opportunity to show children that grew up like me that there is a place for them in theatre,” said Rashaad A. Bond, director of Best Friends. “It is an opportunity to show them stories they can relate to not just because they are universal truths, but because the people they’re watching look like them as well.”

Selected scripts include:

• Best Friends, written by Dallas playwright Adam Eugene Hurst, is the story of Brooklyn a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well-worn stuffed animal dog toy, wants nothing to do with that. Best Friends is directed by Rashaad A. Bond. Cast: Dara Brown and Clara Johnson.

• A Blue Hydrangea, written by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that is blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. Blue Hydrangea is directed by Alyssa Vera Ramos. Cast: Ariel Etana Triunfo and Will Pettway.

• The Friend Box and The Box Friend, written by Chicago playwright Kim Z. Dale, takes place during a school show-and-tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. The Friend Box and The Box Friend is directed by Jonathan M. Saucedo. Cast: Tommy Blackburn, Heather Bronson, Meg Collins and Terri Hudson with Jean Burr, Christopher Mueller, Sydney Ray and Holly Robison.

• It's Poppin', written by Georgia playwright Steven San Luis, is the story of a young kid who is afraid of moving to a new city and finds themself talking to a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. It’s Poppin’ is directed by Rebecca Rose Schilsky. Cast: Levi Denton-Hughes and Emmett Wickersham.

• Splash of Magic, written by Chicago playwright Lori Taylor, is the tale of Diane, an 8-year-old Black girl who is scared to go in the pool without something to keep her afloat. When she discovers her Black Girl Magic, she realizes she can conquer any fear, as long as she believes in the magic that lives inside her. Splash of Magic is directed by Kayla V. White and Aria Caldwell. Cast: Aria Caldwell, Nick Conrad and Toma Lynn Smith.

• Sunshine and the Sea of Lost Things, written by California playwright Sarah Lina Sparks, follows a young mixed-race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever. Sunshine and the Sea of Lost Things is directed by Roxy Adviento. Cast: Alexandra Alontaga, Roxy Adviento and Cooper Bohn.

Stagecraft classes will also be available virtually for children as part of this year’s festival. Families can choose from Building the Character — Literally, Building the Story or Building the World. Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only.

More information — including bios, ticket information and class descriptions— is available on our website.

In late 2020, Ghostlight put out a call for scripts for young audiences that were ethnically and culturally diverse, written by writers of color and/or LGBTQ writers and that could be produced virtually. Over 100 short plays were submitted from writers all over the world. Final selections were made in February 2021.

The festival was crafted to appeal to all ages and its “live” weekend run is perfect for families looking for daytime entertainment during a time of year when outdoor events can be unpredictable. Make/Believe takes place Saturday, June 5 and Sunday, June 6, 2021, at 2 p.m. The performances will also be available to stream on-demand through Sunday, July 4.

Tickets are Pay-What-You-Will, with a minimum donation of $1, but a suggested donation of $10 for the performance and $5 per class. By donating more, patrons help offset the cost for those who can’t afford to give.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Ghostlight Ensemble Co-Artist Director Kayla White on Fox32

Our new Co-Artist Director Kayla White was on Fox32 this morning, featured in their Voice of Change segment. She discussed Ghostlight desire to become a voice of change in the theatre scene, as well as our plans for the upcoming season.

Check out the interview here.

Ghostlight Ensemble Goes Online For Season Four

Ghostlight Ensemble announced its Season 4 lineup, which brings back two popular offerings and introduces a new reading series of historically overlooked female playwrights. This season the company will present its offerings online, with the hopes of moving back to the stage in the summer of 2021.

“We're all diving into unknown territory with our medium moving into a digital world, but ultimately that unknown is what Ghostlight has been about since the beginning,” said Co-Artistic Director Miona Lee.

“The landscape of theatre is rapidly changing,” added Co-Artistic Director Kayla White. “I'm really looking forward to leading Ghostlight to be a force of positive change in the Chicago theatre scene, to dismantle old traditions and build an inclusive, anti-racist and SAFE place to create theatre together.”

Holiday Cabernet host Coco Sho-Nell

Ghostlight will begin its fourth season in December with a perennial winter favorite, the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a virtual setting with a host filled with holiday spirits! Taking the emcee mic this year is the glamorous Coco Sho-Nell, a Chicago-based drag performer with roots in musical theatre.

Acts range from comedians and clowns to musicians, dancers and more. Artists include: Comedy Dance Collective, Daija Nealy, Danielle Levsky, Improvised Jane Austen, Nate Perez & Anneliese Ayers, Nitty Gritty, Plucky Rosenthal and Tyler Ross.

In addition, last year’s vendor area proved so popular, that we’re bringing it back in virtual form this year. Peruse the online offerings before, during and after the show and support independent artists while scoring unique gifts that everyone will be buzzed about.

The live, but virtual, Holiday Cabernet takes place at 8 p.m. on Saturday, December 12. Additional details, including artist bios, vendor wares and how to reserve tickets are available here.

In the new year, Ghostlight will launch its new reading series, For Your (Re)Consideration, which will explore the works of historically overlooked female playwrights. Featuring a variety of distinct voices and styles from different historical periods, the virtual readings will be scheduled throughout the season and seek to bring attention to these remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race.

Epic Tales from the Land of Melanin from 2020’s Make/Believe festival

Rounding out the season in June, the company will once again present Make/Believe, a curated festival of short plays by playwrights from around the country geared towards children 10 and under. Last year’s performances played to sold out houses. This year, Ghostlight plans to offer both a virtual version and a live, outdoor version, as health guidelines permit.

Plays are currently being solicited and script selection will be made in early January. Playwrights interested in submitting to the festival can find more details on the Ghostlight website.

“I honestly don't know how we'll see Ghostlight evolve over the next year,” Lee said. “I can tell you that we will never stop pushing to ask the tough questions and bring our audiences thought-provoking work.”

Find out more about Ghostlight Ensemble and the entire 2020-2021 Season here.

Read more: Ghostlight 'Aims To Bring Voices Of Black Women, People Of Color To The Forefront'

Princess Without Pots, 2018

Block Club Chicago recently covered our leadership change and plans for the upcoming season.

Learn more about our new Co-Artistic Director Kayla V. White and the company’s plans for the future in that piece.

“I’m really excited about centering newer Black and Brown playwrights, particularly Chicago-based ones, for the upcoming season and helping them shape their piece and create something new,” White said. “That’s so exciting to me.”

White said the company also will have a reading series highlighting “lost plays” from female writers of color, with an emphasis on works from Black women.

“A lot of people tend to do the same shows. Chicago does mix it up but often it’s a retelling the same types of stories,” White said. “So this series will have a special emphasis on people of color to go back and explore a lot of different plays that are available to us. They exist, but people just aren’t really using them.”

Ghostlight announces change in leadership: Kayla V. White takes over as co-artistic director

Kayla V. White

Ghostlight Ensemble Member Kayla V. White has been promoted to co-artistic director as the storefront theatre company looks ahead to its next season with a focus on lifting up disenfranchised voices and navigating the unprecedented arts landscape that has resulted from the COVID-19 pandemic. 

White joins Miona Lee as co-artistic leader of the company, taking over from Maria Burnham, who voluntarily stepped down to open a leadership position for an artist of color. Burnham remains with the company.

“As a Black, queer woman, being the new co-artistic director for Ghostlight Ensemble Theatre is a particularly exciting opportunity for me,” White said. “I’m so grateful to my theatre family for being ready and willing to learn and grow by centering marginalized voices like mine in our community. 

“One thing I’m really looking forward to in this role is working with Ghostlight to be a force of positive change in the Chicago theatre scene. The landscape of theatre is rapidly changing and we can (and will!) dismantle old traditions and build an inclusive, anti-racist and SAFE place to create theatre together.”

White joined Ghostlight Ensemble last year after working as an actress with the company on several productions and readings. She holds a BFA in Music Theatre from Illinois Wesleyan University and in Chicago has worked with Strawdog Theatre Company, Clock Productions and Hairpin Arts, among others. Her full bio can be found here. 

“As a performer, Kayla has a passion and energy about her that makes you want to watch. The more I have gotten to know her, I’ve learned that she brings the same drive and passion to everything she does,” Lee said. “With our constant drive to bring new voices, perspectives and stories to the light, Kayla is a natural fit as an artistic director. I cannot be more excited to be working with her.” 

Added Burnham, “Part of Ghostlight’s mission has been to challenge the status quo, but how can we effectively do that when we look like the structures that have been put in place to establish and uphold that dynamic? That is why I’m excited to follow Kayla as she leads this company into its next chapter. In addition to being extraordinarily talented and passionate, Kayla has a great vision for what theater can be and Ghostlight’s part in it.”

The company is currently developing its plan for the 2020-2021 season, which will largely take place in the digital realm, after cutting its 2019-2020 season short due to safety concerns associated with the COVID-19 pandemic. An announcement is expected soon.

Ghostlight welcomes three new associate ensemble members

Actors Kayla White, Alina Taber and Justin Broom have joined Ghostlight as associate ensemble members. All three have been seen in Ghostlight productions this season.

Kayla was first seen in our Nightlight production of The Princess Without Pots in 2017 and most recently was in our live reading Must Eat TV 3.

Alina, who is also a film actress and musician, recently starred as Helen O’Neill in our staged reading of The Thirteenth Chair.

Justin was also in The Thirteenth Chair, taking on the role of Trent. In addition, he has lent his talents to our live readings of Reality Bites and Must Eat TV 3.

Full bios of all our artists can be found on the About Us: The Ensemble page of our website.