Power of believing in one’s self takes center stage for theatre festival for young audiences

An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of Ghostlight Ensemble’s Make/Believe short play festival for young audiences this year.

 Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

 “These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

 Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

 This year’s plays include:

 ·                The Thing That Comes to the Basement is written by Chicago playwright Lori Taylor and directed by Lo Williams. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend. Starring: Sydney Ray, Toma Lynn Smith and Hannah Strauss.

·                Hannah and Halmoni Save the World! is written by Chicago playwright Juliet Kang Huneke and is directed by Karina Patel. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us. Starring: Rick Hilscher, Kristen Lin Waagner and Emily Zhang.

·                The Edge of Play is written by Utah playwright Janine Sobeck Knighton and directed by Eileen Tull. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most. Starring: Christine Marie and Kaela Rosenbaum.

·                Finding Belief is written by Portland playwright Kwik Jones and directed by Kate Sullivan Coombs. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief? Starring: Alexis Aranda, Josh Bomba, Nick Conrad and Rissa Montañez.

·                Guardian of the House (Τόπακας) is written by Chicago playwright and Ghostlight Ensemble Member Maria Burnham and directed by Whitney Minarik. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry. Starring Rose Leisner and Gina Sanfillipo.

Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated. However, some limited reserve seating is available via Eventbrite.

Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2023.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

Announcing the plays of Make/Believe 2023!

An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of Ghostlight Ensemble’s Make/Believe short play festival for young audiences this year.

Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

“These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

This year’s plays include:

• The Thing That Comes to the Basement by Chicago playwright Lori Taylor, whose work will be familiar to past Make/Believe audiences, as she’s been a part of all our previous festivals. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend.

• Hannah and Halmoni Save the World! by Chicago playwright Juliet Kang Huneke. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us.

• The Edge of Play by Provo, Utah, playwright Janine Sobeck Knighton. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most.

• Finding Belief by Portland playwright Kwik Jones. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief?

• Guardian of the House (Τόπακας) by Chicago playwright and Ghostlight Ensemble Member Maria Burnham. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry.

Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated.

Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them.

More information will be available on the Make/Believe show page.

Culturally Rich, Diverse Stories Spotlighted in 2nd Annual Festival for Young Audiences

“Sunshine And The Sea of Lost Things” is one of six plays that make up the 2021 Make/Believe festival. (From Left: Alexandra Alontaga, Roxy Adviento and Cooper Bohn)

A child with no memory lost at sea, a balloon afraid of soaring through the clouds, a splash of Black Girl Magic. Welcome to year two of Make/Believe, a theatre festival that challenges its young (and young-at-heart) audiences to indulge their imagination and open their minds to all the beautiful, complicated ways life presents itself.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 10 and under, but which are also meant to be enjoyed by all ages. This year an emphasis was placed on producing pieces in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. The festival has also expanded to include three classes centered around stage craft, to help this next generation of theatre artists craft their own stories and shows at home.

“Make/Believe includes the type of complex storytelling modern children expect from their entertainment,” said Maria Burnham, the curator and producer of Make/Believe. “This is theatre with a message, with deeper meaning, with conflict of morality; it is a reflection of the life they see around them every day.”

Last year’s Make/Believe festival proved wildly popular, with both shows selling out and waiting lists that had to be turned away. While the move to a digital presentation this year was necessitated by COVID-19, the added benefit is that there is no limit to the number of people who can attend and participate.

“While we’ve lost some of the magic that comes with being together, we’ve also loosened the barriers about who has access to both do and see theatre and that isn’t a bad trade,” Burnham said.

The six stories that make up this year’s Make/Believe festival are filled with young people, plants and a puppy who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the pink hydrangea that knows it was born to be blue in A Blue Hydrangea, the protagonists in these plays face the types of struggles children will recognize from their own lives.

Rashaad A. Bond

“For me, the opportunity to direct for Ghostlight Ensemble is an opportunity to show children that grew up like me that there is a place for them in theatre,” said Rashaad A. Bond, director of Best Friends. “It is an opportunity to show them stories they can relate to not just because they are universal truths, but because the people they’re watching look like them as well.”

Selected scripts include:

• Best Friends, written by Dallas playwright Adam Eugene Hurst, is the story of Brooklyn a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well-worn stuffed animal dog toy, wants nothing to do with that. Best Friends is directed by Rashaad A. Bond. Cast: Dara Brown and Clara Johnson.

• A Blue Hydrangea, written by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that is blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. Blue Hydrangea is directed by Alyssa Vera Ramos. Cast: Ariel Etana Triunfo and Will Pettway.

• The Friend Box and The Box Friend, written by Chicago playwright Kim Z. Dale, takes place during a school show-and-tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. The Friend Box and The Box Friend is directed by Jonathan M. Saucedo. Cast: Tommy Blackburn, Heather Bronson, Meg Collins and Terri Hudson with Jean Burr, Christopher Mueller, Sydney Ray and Holly Robison.

• It's Poppin', written by Georgia playwright Steven San Luis, is the story of a young kid who is afraid of moving to a new city and finds themself talking to a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. It’s Poppin’ is directed by Rebecca Rose Schilsky. Cast: Levi Denton-Hughes and Emmett Wickersham.

• Splash of Magic, written by Chicago playwright Lori Taylor, is the tale of Diane, an 8-year-old Black girl who is scared to go in the pool without something to keep her afloat. When she discovers her Black Girl Magic, she realizes she can conquer any fear, as long as she believes in the magic that lives inside her. Splash of Magic is directed by Kayla V. White and Aria Caldwell. Cast: Aria Caldwell, Nick Conrad and Toma Lynn Smith.

• Sunshine and the Sea of Lost Things, written by California playwright Sarah Lina Sparks, follows a young mixed-race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever. Sunshine and the Sea of Lost Things is directed by Roxy Adviento. Cast: Alexandra Alontaga, Roxy Adviento and Cooper Bohn.

Stagecraft classes will also be available virtually for children as part of this year’s festival. Families can choose from Building the Character — Literally, Building the Story or Building the World. Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only.

More information — including bios, ticket information and class descriptions— is available on our website.

In late 2020, Ghostlight put out a call for scripts for young audiences that were ethnically and culturally diverse, written by writers of color and/or LGBTQ writers and that could be produced virtually. Over 100 short plays were submitted from writers all over the world. Final selections were made in February 2021.

The festival was crafted to appeal to all ages and its “live” weekend run is perfect for families looking for daytime entertainment during a time of year when outdoor events can be unpredictable. Make/Believe takes place Saturday, June 5 and Sunday, June 6, 2021, at 2 p.m. The performances will also be available to stream on-demand through Sunday, July 4.

Tickets are Pay-What-You-Will, with a minimum donation of $1, but a suggested donation of $10 for the performance and $5 per class. By donating more, patrons help offset the cost for those who can’t afford to give.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Plays selected for Make/Believe festival in June

A talking balloon, a girl stranded in the Sea of Lost Things, a school show and tell via Zoom. Welcome to the scripts that make up Make/Believe 2021.

Make/Believe is a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

More than 100 scripts were submitted from all over the world for consideration in 2021’s festival. The short plays had to be adaptable to both virtual and live performances. Script selection was made earlier this month. Performances are scheduled for June.

Selected scripts include:

• Best Friends, by Dallas playwright Adam Eugene Hurst, tells the story of Brooklyn, a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well worn stuffed animal dog toy, wants nothing to do with that.

• A Blue Hydrangea, by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that are blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement.

• The Friend Box and The Box Friend, by Chicago playwright Kim Z. Dale, takes place during a school show and tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right.

• It's Poppin' , by Georgia playwright Steven San Luis, is the story of a young girl who is afraid of moving to a new city and a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them.

• Splash of Magic, by Chicago playwright Lori Taylor, teaches boys and girls to overcome their fears by believing in themselves. Diane is an eight-year-old black girl who is scared to go in the pool without something to keep her afloat. When she discovers her black girl magic, she realizes she can conquer any fear as long as she believes in the magic that lives inside her.

• Sunshine and the Sea of Lost Things, by California playwright Sarah Lina Sparks, follows a young mixed race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever.

The power of imagination takes center stage in Ghostlight’s festival of new works for young audiences

Cereal royalty, a monster that eats words, the source of all black girl magic, a unique bird that tastes bad. Welcome to Make/Believe, a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 12 and under, but which are also meant to be enjoyed by all ages.

“Make/Believe is an expansion of our Nightlight young audiences series, which has always sought to tell compelling stories for children that do not talk down to them, but help make sense of the world around them while also letting them know that it is still OK to play,” said Maria Burnham, Ghostlight’s co-artistic director.  

The eight stories that make up this year’s Make/Believe festival are filled with young women who turn convention on its head. From the young heroines in Epic Tales from the Land of Melanin who reclaim their own stories – and the power that comes along with them – to that classic victim of folklore, Little Red Riding Hood, who decides a feminist fairy tale is more her style, the heroines of these plays face the types of figurative monsters modern children will recognize from their own lives.

Selected scripts include:

• Asherella, by Chicago playwright Lori Taylor, is a take on Cinderella where the heroines are African-American females and the person rescued is a young white male. Asher lives at home with his cruel stepmother and cruel stepbrothers. With the help of The One, an African-American magical being who is the source of all black girl magic, Asher is able to escape his cruel family and live in the castle with the ruler of the queendom. Asherella is directed by Laila Rodriques.

• In Ava’s First Escape Room, by Chicago playwright Kim Z. Dale, Ava, Jack and Gus are locked together in an escape room as an optional add on to a school field trip. The strange thing about this escape room is there is nothing in it: No puzzles or clues to solve. To make matters worse, Ava and the boys are not friends. As the boys loudly and ineffectually try to bust out of the room, Ava gets tired of dealing with them, and takes matters into her own hands. Ava’s First Escape Room is directed by Jill Olson Stuck.

• Based on histories of real-life women of color and non-Eurocentric fairytales, Epic Tales from the Land of Melanin tells a hilarious, imaginative adventure tale of three girl warrior-explorers taking on the world. Along the journey, our fierce young heroes must attempt to reclaim the power that was stolen from them and their people. Epic Tales From the Land of Melanin was originally devised by Chicago artists Guadalís Del Carmen, Mariana Green, Brandi Lee, Maya Mackrandilal, Enid Muñoz, Alyssa Vera Ramos, Deanalís Resto, Ana Velazquez and Teresa Zoríc with FEMelanin; and is directed by Deanalís Resto.

• Little Red Reboot, by New York playwright Sonya Sobieski, is a modern mash-up of the Little Red Riding Hood and Goldilocks tales, in which two rebellious females we think we already know break the rules of storytelling and theatre to get to a happy ending. Little Red Reboot is directed by Kristin Schoenback.

• The Queen of Cocoa Puffs and the Cap’n Crunch King, by Brooklyn playwright Corey Pajka, is the story of what happens when a pair of sovereign siblings sit down for breakfast with two hearty appetites and one cereal box between them. A battle cry is heard across the kingdom of New Brunswick. There will be blood—and perhaps orange juice. The Queen of Cocoa Puffs and the Cap’n Crunch King is directed by John Gleason Teske.

• Scaredy Friends is the story of a small girl and a monster that eats her words when she screams. But it turns out the monster isn’t evil — like the little girl, it is scared. This discovery, told through words and physical theatre, changes the course of their relationship forever. Scaredy Friends is written and directed by Chicago performing artist Carolyn Minor.

• Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince, by Oak Park-based playwrights Jack Helbig and Margaret Helbig, is the story of a father and a daughter who collaborate on the writing of an original fairy tale. Unfortunately, they have different ideas of what makes a good fairy tale. Fortunately, they keep writing. Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince is directed by Lizzy May.

• Stinky Bird, by Los Angeles playwright Seth Freeman, is the story of a young bird who is forced to come to terms with her unique and challenging background. Stinky Bird is directed by Jackie Bowes.

All eight plays will be produced on both days of the festival. The festival is curated by Ghostlight Ensemble Co-Artistic Director Maria Burnham.

Ghostlight put out a call for scripts for young audiences that featured strong female characters and collected submissions from around the world during the fall of 2019. Over 350 short plays were submitted. Final selections were made in late November.

The festival was crafted to appeal to all ages and its weekend run is perfect for families looking for live, daytime entertainment during a time of year when family-friendly activities are not as plentiful. Make/Believe takes place Saturday, February 22 and Sunday, February 23, 2020, at 2 p.m. at Laugh Out Loud Theater Chicago in the North Center neighborhood (3851 N. Lincoln Ave.). Tickets are on sale now via Brown Paper Tickets: $15 adults, $5 children 12 and under, or $25 family of four.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Plays announced for Make/Believe festival in February

Ghostlight has announced the scripts that will be performed as part of the Make/Believe, a short play festival for young audiences, scheduled for February 22 and 23, 2020, at Laugh Out Loud Theater in the North Center neighborhood of Chicago. 

The plays, geared towards children 12 and under, all have one unifying feature – strong female characters.

Selected scripts are:

• Asherella by Lori Taylor

• Ava's First Escape Room by Kim Z. Dale

• Epic Tales From the Land of Melanin originally devised by Guadalís Del Carmen, Mariana Green, Brandi Lee, Maya Mackrandilal, Enid Muñoz, Alyssa Vera Ramos, Deanalís Resto, Ana Velazquez and Teresa Zoríc with FEMelanin

• Little Red Reboot by Sonya Sobieski

• The Queen of Cocoa Puffs and the Cap'n Crunch King by Corey Pajka

• Scaredy Friends by Carolyn Minor

• Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince by Jack Helbig and Margaret Helbig

• Stinky Bird by Seth Freeman

Auditions for Make/Believe take place in January. Find out more here.