Ghostlight Ensemble brings its popular Make/Believe festival back to the stage in 2022 with seven short plays by playwrights from around the country to be presented live, outdoors in July.

This year’s curated festival features a mix of new and previously performed plays from past Make/Believe festivals, written by both local and national playwrights. The plays, as always, have been written for audiences 10 and under, but are meant to be enjoyed by all ages.

“We are thrilled to bring this festival back to live performances after having to go digital only in 2021,” said Maria Burnham, Make/Believe curator. “Nothing replaces being in the same space with our young audience members and their families and feeling the energy and excitement they bring to Make/Believe.”

The seven stories that make up this year’s festival are filled with young people, plants, puppies and a blue balloon who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the littlest fish in the ocean proving all sizes matter in Krill’s Quest, the protagonists in these plays face the types of struggles modern children will recognize from their own lives.

All seven plays will be produced on each day of the festival at the new NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated.

Selected scripts are Asherella by Lori Taylor, Best Friends by Adam Eugene Hurst, A Blue Hydrangea by Eric Braman, Can You Hear the Mermaids Singing? by Rachel Atkins, It's Poppin' by Steven San Luis, Krill’s Quest by Angelle Whavers and Sunshine and the Sea of Lost Things by Sarah Lina Sparks.

Make/Believe is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2022.

Make/Believe takes place outdoors on the last three Saturdays in July – July 16, 23 and 30, 2022, at 2:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Cereal royalty, a monster that eats words, the source of all black girl magic, a unique bird that tastes bad. Welcome to Make/Believe, a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 12 and under, but which are also meant to be enjoyed by all ages.

“Make/Believe is an expansion of our Nightlight young audiences series, which has always sought to tell compelling stories for children that do not talk down to them, but help make sense of the world around them while also letting them know that it is still OK to play,” said Maria Burnham, Ghostlight’s co-artistic director.

The eight stories that make up this year’s Make/Believe festival are filled with young women who turn convention on its head. From the young heroines in Epic Tales from the Land of Melanin who reclaim their own stories – and the power that comes along with them – to that classic victim of folklore, Little Red Riding Hood, who decides a feminist fairy tale is more her style, the heroines of these plays face the types of figurative monsters modern children will recognize from their own lives.

Selected scripts include:

Asherella, by Chicago playwright Lori Taylor, is a take on Cinderella where the heroines are African-American females and the person rescued is a young white male. Asher lives at home with his cruel stepmother and cruel stepbrothers. With the help of The One, an African-American magical being who is the source of all black girl magic, Asher is able to escape his cruel family and live in the castle with the ruler of the queendom. Asherella is directed by Laila Rodriques.
In Ava’s First Escape Room, by Chicago playwright Kim Z. Dale, Ava, Jack and Gus are locked together in an escape room as an optional add on to a school field trip. The strange thing about this escape room is there is nothing in it: No puzzles or clues to solve. To make matters worse, Ava and the boys are not friends. As the boys loudly and ineffectually try to bust out of the room, Ava gets tired of dealing with them, and takes matters into her own hands. Ava’s First Escape Room is directed by Jill Olson Stuck.
Based on histories of real-life women of color and non-Eurocentric fairytales, Epic Tales from the Land of Melanin tells a hilarious, imaginative adventure tale of three girl warrior-explorers taking on the world. Along the journey, our fierce young heroes must attempt to reclaim the power that was stolen from them and their people. Epic Tales From the Land of Melanin was originally devised by Chicago artists Guadalís Del Carmen, Mariana Green, Brandi Lee, Maya Mackrandilal, Enid Muñoz, Alyssa Vera Ramos, Deanalís Resto, Ana Velazquez and Teresa Zoríc with FEMelanin; and is directed by Deanalís Resto.
Little Red Reboot, by New York playwright Sonya Sobieski, is a modern mash-up of the Little Red Riding Hood and Goldilocks tales, in which two rebellious females we think we already know break the rules of storytelling and theatre to get to a happy ending. Little Red Reboot is directed by Kristin Schoenback.
The Queen of Cocoa Puffs and the Cap’n Crunch King, by Brooklyn playwright Corey Pajka, is the story of what happens when a pair of sovereign siblings sit down for breakfast with two hearty appetites and one cereal box between them. A battle cry is heard across the kingdom of New Brunswick. There will be blood—and perhaps orange juice. The Queen of Cocoa Puffs and the Cap’n Crunch King is directed by John Gleason Teske.
Scaredy Friends is the story of a small girl and a monster that eats her words when she screams. But it turns out the monster isn’t evil — like the little girl, it is scared. This discovery, told through words and physical theatre, changes the course of their relationship forever. Scaredy Friends is written and directed by Chicago performing artist Carolyn Minor.
Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince, by Oak Park-based playwrights Jack Helbig and Margaret Helbig, is the story of a father and a daughter who collaborate on the writing of an original fairy tale. Unfortunately, they have different ideas of what makes a good fairy tale. Fortunately, they keep writing. Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince is directed by Lizzy May.
Stinky Bird, by Los Angeles playwright Seth Freeman, is the story of a young bird who is forced to come to terms with her unique and challenging background. Stinky Bird is directed by Jackie Bowes.

All eight plays will be produced on both days of the festival. The festival is curated by Ghostlight Ensemble Co-Artistic Director Maria Burnham.

Ghostlight put out a call for scripts for young audiences that featured strong female characters and collected submissions from around the world during the fall of 2019. Over 350 short plays were submitted. Final selections were made in late November.

The festival was crafted to appeal to all ages and its weekend run is perfect for families looking for live, daytime entertainment during a time of year when family-friendly activities are not as plentiful. Make/Believe takes place Saturday, February 22 and Sunday, February 23, 2020, at 2 p.m. at Laugh Out Loud Theater Chicago in the North Center neighborhood (3851 N. Lincoln Ave.). Tickets are on sale now via Brown Paper Tickets: $15 adults, $5 children 12 and under, or $25 family of four.

Make/Believe theatre festival for young audiences returns this summer live, outdoors

The power of imagination takes center stage in Ghostlight’s festival of new works for young audiences